Giorgio Armani “Giorgio’s” Night Out Concept to Hit Munich

Giorgio Armani is gearing up to bring its “Giorgio’s” private members’ night out concept to Munich.
Introduced at the company’s Armani/Privé nightclub in Milan at the end of 2016, the one-night format, including a mix of performances with DJ-sets, will hit the German city on Sept. 13. The event, which will be hosted at Munich’s Park Café, a neoclassic hip venue, will mark the reopening of the company’s flagship, located on Munich’s Maximilianstrasse.
The two-story, 4,305-square-foot store was revamped with the brand’s most recent concept, which includes enamel and platinum-colored metal furniture pieces and displays placed in an elegant setting with curtains and silk panels matching the flooring’s color palette. Along with carrying the brand’s ready-to-wear and accessories collections, the flagship features an area dedicated to Giorgio Armani’s makeup and fragrance offering.

Giorgio Armani flagship in Munich. 
Beppe Raso

“Munich is a very fascinating city. Its spirit perfectly combines modernity and tradition,” said the designer. “In this important tourist destination, I wanted to renovate my boutique, which with its eight windows, features a high visibility on one of the city’s luxury shopping boulevards. I conceived a refined yet warm space, reflecting my esthetic codes and, at the same time, well integrated in its context.”
Previously, the

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Giorgio Armani Men’s Spring 2019

With all of the week’s obsessions with everything from the new brand of streetwear to  wild prints and neons and Eighties and Nineties nostalgia, Giorgio Armani proved a welcoming relief from the trend chasing.
This was the Maestro in his element, a moment of softness and simplicity, taking the audience to a far-off place. The super-elegant collection – centered around the double-breasted jacket – catered to the languid lifestyle of a global nomad traveling around the world, pulling on myriad references but with a cohesiveness and coziness to his wardrobe.
Playing with proportions, the designer channeled an elegant gentleman – or at times gentleman farmer – off duty, albeit interpreted through an urban lens, with a palette of mineral colors. With straw hats, fedoras and leather espadrilles among the accessories, Armani focused on his signature super-soft constructions, from gaucho-style oversized pants worn with stitched leather waistcoats over long-sleeved T-shirts to suede safari jackets, printed silk pajamas with digitalized ikat-style prints and those double-breasted jackets, most with peak lapels and all in the relaxed silhouette the designer made iconic.
A look combining crisp cotton pants worn with suspenders and patterned knitwear was another pure Eighties Armani moment, but felt timeless.
Even the unconstructed double-breasted linen suits

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Giorgio Armani Takes a Jab at Gucci

HEAD OVER HEELS: Giorgio Armani has long lamented how some of his peers parade unwearable looks on the runway to draw the attention, turning fashion into a circus. So no surprise the designer would take a jab at Alessandro Michele’s models carrying their pretend heads at Gucci.

Details at Gucci RTW Fall 2018 
Aitor Rosas Suñé/WWD

Without naming the brand or Michele, Armani said he was “perplexed” by that choice and such antics. “No, I don’t want to be a part of this. Fashion can’t be a means to have the media talk about you. We have to move and excite but without going overboard — it’s too easy. I have never wanted to trick consumers, and what I show on the runway is what customers can find in stores,” Armani said on the sidelines of the unveiling of a short movie he produced for his Laboratorio workshop.

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Giorgio Armani Pre-Fall 2018

“Seductive sobriety” was the expression which Giorgio Armani used to describe his pre-fall collection.
In a way, this season, Armani, who was born outside Milan in Piacenza, went back to his roots and he recalled that thick fog which used to surround the city during the long winters of his youth.
The designer translated his memories into the collection through the use of soft tones and plush fabrics wrapping the body with warm coziness.
Different tones of gray defined a range of pieces, including a little jacket worked in an Art Deco-inspired chevron motif and embellished with printed leather lapels punctuated by hand-painted maxi buttons. A lighter gray hue gave a chic attitude to a collarless coat worn over silk Bermuda pants and a chevron top, while gray was combined with pink, white and black on a leather blazer splashed with an abstract interpretation of a floral pattern.
Flowers, recalling Henri Matisse’s paintings, also peppered a silk romper trimmed with Kidassia fur, which was layered under a maxi Mongolian fur coat.
A more sporty and casual attitude informed another group of pieces, such as a graphic chevron bomber showing an asymmetric zipper, a jersey sweatshirt embroidered with the Giorgio Armani logo, as well as an oversize

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Giorgio Armani Cashes in on 80-Million-Euro Dividend

SWEET DIVIDEND: According to Forbes, Giorgio Armani ranks number 215 on the 2017 list of billionaires and his net worth as of Sept. 8 stands at $ 8.3 billion. While the Italian designer has decided to channel his fashion group’s profits from 2016 back into the company as a financial provision, as he had the previous year, Armani, who controls and is also the chairman of his namesake company, in October issued an extraordinary dividend of 80 million euros.
His group can afford it. As reported in July, Giorgio Armani SpA relies on a cash pile of 881 million euros, up 35 percent compared with 654 million euros at the end of 2015. The group’s annual report, deposited at the Italian Chamber of Commerce, also states that the company in December sold 200,000 shares in Italy’s eyewear firm Luxottica SpA, with a capital gain of 7.2 million euros. Luxottica is Armani’s longtime eyewear licensee.
The report shows that, in February, 9,500 company shares, or 0.1 percent of capital, were transferred from the designer into the new partner Fondazione Giorgio Armani. Last year marked the first time the designer — who turned 84 on July 11 — revealed details about the future of his

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Giorgio Armani Privé Couture Fall 2017

The arrival of a pristine white card featuring an embossed putto, apparently taken from an architectural relief, got you wondering about the theme of Giorgio Armani’s Armani Privé show. Old World grandeur? Whimsical romance?
As it turned out, the image heralded not the show’s theme, “Mystery,” but Milan’s Palazzo Orsini, now owned by Armani and the site of his atelier. After years of a minimalist approach to his venue, for fall, Armani decided to up his ante in the set stakes, installing inside the Théâtre National de Chaillot imagery derived from the palazzo’s interiors: in the reception area, large photographs of murals and, lining the walls of the runway space, a mini replica of a lavishly paneled room. It made for a lovely setting, made lovelier still by American-level air-conditioning and seating with ample rear-end room.
By transplanting to Paris the trappings of his Milanese base, Armani seemed to telegraph that this would be a deeply personal collection, no less than if he’d played “I Gotta Be Me” on his soundtrack. Yet while all of the signatures were there — the specific tailoring, the fabric mixes, the wacky hats — Armani stuck a pin in Privé’s typical grande dame attitude, letting some

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Front Row at Giorgio Armani Privé Fall 2017

THE LATE SHOW: For front-row celebs, it’s a Catch-22: Get in early and face a barrage of photographers and reporters, or get chastised for being late, like Isabelle Huppert who was booed by photographers as she was spirited to her seat at Armani Privé after the show had begun. She blamed traffic, mouthing her excuse to a nearby publicist.

Kate Winslet at Giorgio Armani Privé. 
Stephane Feugere/WWD

Having arrived with time to spare, Kate Winslet barely got a word in edgewise, managing to say “effortless” and “chic” before more questions were shouted at her in a hail of camera flashes. She looked relieved when she slipped behind a human chain of security guards.
Sitting next to a white-clad Sophia Loren, Naomi Watts looked more relaxed, wearing a similarly pristine outfit. She had arrived earlier in the day, fresh off the promotion of “Gypsy,” the Netflix drama in which she stars as a psychotherapist who inserts herself into the lives of her clients. After the show, she was heading back to the Eurostar but with good reason. “My holiday starts tomorrow, and you’re the first to know I’m going to Kenya,” the English actress said in a conspiratorial tone.
More From Paris Haute Couture Week Fall 2017:
Giorgio Armani Privé

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Lionel Messi Wears Giorgio Armani on Wedding Day

MESSI DAY: F.C. Barcelona and Argentina International ace Lionel Messi wore a dark grey three-piece Giorgio Armani Made to Measure suit for his wedding with Antonella Roccuzzo held in Rosario, Argentina, on June 30.
Messi is rated as one of the best soccer players in the history of this sport.
Messi and Roccuzzo’s children Thiago and Mateo also wore three-piece suits from the Armani Junior line created expressly for them.
Singer Shakira and her husband Gerard Piqué, and fellow soccer champs Samuel Eto’o, Neymar Jr., and Dani Alves were among the reportedly 260 guests at the ceremony.
 
 

Giorgio Armani’s sketch for Lionel Messi 
Courtesy Image

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Giorgio Armani Men’s Spring 2018

There were no show notes, just one line projected onto the screen above the runway: Made in Armani.
The phrase captured the spirit of the collection, which was signature Giorgio, with a subdued color palette – 50 shades of light gray – and many of the designer’s greatest hits. Carrot trousers, curve-hugging tailored jackets, languid work wear styles, and Far Eastern-inspired silhouettes all took a turn on the runway.
GALLERY: Backstage at Giorgio Armani Men’s Spring 2018
In a season when some of Milan’s biggest names in men’s wear either didn’t take part to opt for co-ed shows in September, or lost their rhythm and wobbled, Armani stuck to what he knows best – and sent it down the runway over and over again. The show opened with a long and elegant feather light coat in watery gray, and ended with a chic lineup of all-white suits, some of them in seersucker, others with two buttons or three buttons, shawl collars or narrow peaked lapels.
In between there was much texture and surface interest – a crinkly coppery fabric for a bomber jacket; shiny gray-white tailored jackets with subtle plaid patterns; a loose jacket with patch pockets and tailored tracksuit bottoms (no sloppy street

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Giorgio Armani Offers Theater to Munsoo Kwon

SHOWTIME: In his ongoing support of young designers, Giorgio Armani will lend his Teatro space to Korean designer Munsoo Kwon.
Kwon’s spring-summer 2018 collection will be presented during Milan Men’s Fashion Week, on June 18. The week kicks off on June 16 with the Ermenegildo Zegna show and ends June 19. Armani’s own show is on the last day, followed by Fendi.
“This season, I continue to support some of the most promising fashion designers on the international scene, keeping a global view of creative talent,” said Armani. “I hope my encouragement and support will bode well for his career.”
Kwon, who trained at American design schools, is the ninth designer to show at Armani’s theater, following Andrea Pompilio, Vivetta and Au Jour le Jour, to name a few. The latest was Chinese designer Xuzhi Chen in February.
“I’m more than thankful to be granted with a chance to make [my] dream come true by Mr. Giorgio Armani,” said Kwon, who will show his 10th collection.
In line with this project, as reported, Armani is launching a design competition called New Bond. Ahead of his first Emporio Armani show in London in September, the Italian designer will work with the British Fashion Council and fashion students in

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Giorgio Armani Designs Costumes for ‘The Dinner’

Giorgio Armani has designed the costumes for the Richard Gere’s character interpreted in Oren Moverman‘s new movie, “The Dinner,” hitting theaters on May 5.
Armani teamed with the film’s costume designer Catherine George to create a full wardrobe, including a range of casual outfits, along with a navy suit, a cashmere turtleneck sweater, a coat and several shirts and ties. In the thriller, Gere plays an American politician who tries to be elected governor. Laura Linney, Steve Coogan, Rebecca Hall and Chloe Sevigny are also part of the cast.

A scene from “The Dinner” with Richard Gere and Rebecca Hall. 
Courtesy Photo

“It was a  pleasure to collaborate with Oren Moverman and Catherine George. Catherine totally  understands the philosophy behind my aesthetic, which is perfect for Richard Gere, a longtime friend of mine,” Armani said. “Being passionate about the movie industry, it’s an honor for me to contribute to the making of a film.”
“During the fittings in front of the camera we immediately saw that attitude and self consciousness that Richard showed wearing the coat over the suit and walking in front of the director,” George said. “The cashmere coat looks as luxurious as its results when you touch it. It’s totally clear why the actor and the

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Giorgio Armani Ceases Collezioni, Jeans Labels

MILAN — Giorgio Armani said he plans to consolidate his various collections under three labels, as the fashion company undergoes an internal restructuring.
“There will only be three lines: Giorgio Armani, Emporio Armani and A|X Armani Exchange starting with the fall-winter 2018 season,” the designer said backstage following his Emporio Armani show.
Armani Collezioni and Armani Jeans will be blended into those main three lines.
“There was too much confusion with so many collections,” said the designer. “Times have changed and we have to evolve.”

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Giorgio Brutini Men s Cress Velvet Slip On Loafers Shoes

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New Book on Giorgio Armani Hits Bookstore

MILAN — “I haven’t got any complaint yet, so it may all be OK,” said Italian journalist Giusi Ferre’ at the presentation of the book she wrote on Giorgio Armani, referring to the designer’s reaction.
Published by Marsilio, the book features a provocative, unexpected title: “The radical sex,” and hits stores today [Nov. 26].
“I really wanted to use the word sex but I wanted to define it,” explained Ferre’. “Through his fashion, Armani communicated a precise sexuality, controlled but strong at the same time. And it’s radical because he put the accent on a liquid convergence of the two genders.”
The journalist better clarifies this idea in the preface of the book, where she draws the cultural scenario which served as backdrop for Armani’s revolutionary approach to men’s and women’s fashion.
“It was Giorgio Armani’s fashion to express, almost unwittingly, the idea of gender when between the Seventies and the Eighties gender studies were starting to flourish. These were taking the steps from a wave of the feminist movement and were finding ideas in the analysis of both the post-structuralism and French deconstructionism, especially Michael Foucalt and Jacques Derrida,” Ferré writes in the preface.
The book, which is the first of a new fashion-focused series

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Giorgio Armani: No Successor ‘On the Horizon’

MILAN — As a young man, Giorgio Armani saw a shirt —  in a gingham print — in a movie that caught his fancy. He went hunting for it in several shops, and could not find it. Sales clerks asked him incredulously: “But checks are for tablecloths in trattorias. Why would you want to look like a tablecloth?”
It was at that moment that Armani realized he could do something in fashion.
The designer recounted that story at a press conference Monday to introduce his Rizzoli tome, “Giorgio Armani,” released as part of his 40th anniversary festivities. With Sophia Loren, Lapo Elkann, Robert Wilson and the international press before him, Armani was asked if, given his age of 81, he had identified the designer who would succeed him.
The designer replied that his “ego forced him to say there will never be anyone else like Giorgio Armani,” prompting a round of applause and a few cheers from the audience. Then he added that he did not see anyone in particular “on the horizon,” while acknowledging that “there is a movement [of designers] that have the will to be avant-garde.”
Asked if he considered himself a revolutionary in fashion, Armani enumerated three of his inventions

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阿玛尼 Giorgio Armani Maestro Fusion Makeup Compact SPF 29 (Case + Refill) – # 4 (Box Slightly Damaged) 9g/0.3oz

阿玛尼 Giorgio Armani Maestro Fusion Makeup Compact SPF 29 (Case + Refill) – # 4 (Box Slightly Damaged) 9g/0.3oz


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阿玛尼 Giorgio Armani Face Fabric Second Skin Nude Makeup SPF 12 – # 1 Pale (Unboxed) 40ml/1.35oz

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阿玛尼 Giorgio Armani 纱薄净颜腮红- # 500 Pop 4g/0.14oz

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Presidential Giorgio Napoli 2 Button Mens Suit Modern Classic Fit Blue

Presidential Giorgio Napoli 2 Button Mens Suit Modern Classic Fit Blue


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MANIA BY GIORGIO ARMANI WOMEN 2.5 OZ 75 ML EDP SPRAY NIB SEALED

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阿玛尼 Giorgio Armani 决战时尚眩光眼影 – # 09 Rock Sand 4g/0.14oz

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阿玛尼 Giorgio Armani 大师唇彩 – # 402 (Chinese Lacquer) 6.5ml/0.22oz

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Giorgio Armani Acqua Di Gio Eau De Toilette Spray For Men 100ml/3.4oz

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Presidential Giorgio Napoli 2 Button Mens Suit Modern Classic Fit Grey

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阿玛尼 Giorgio Armani 魅眼杀手单色眼影- # 08 Gun Metal 1.75g/0.061oz

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阿玛尼 Giorgio Armani 大师唇彩 – # 501 (Casual Pink) 6.5ml/0.22oz

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阿玛尼 Giorgio Armani Armani Code Eau Fraiche Natural Spray ( Summer Edition) 75ml/2.5oz

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阿玛尼 Giorgio Armani 大师唇彩 – # 501 (Casual Pink) 6.5ml/0.22oz

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