Three-Time Oscar Nominee Saoirse Ronan Doesn’t Think She’s Famous Like Selena Gomez

A decade after her breakout role in Atonement that earned her first Oscar nomination, Saoirse Ronan still doesn’t think she’s famous.

The 24-year-old actress appears on the latest cover of Vogue where she muses on her notoriety after a fan briefly interrupts the interview to ask for a picture.

“I still get completely shocked that anyone knows who I am,” Ronan says, adding that she would rather act without the fame that comes with it. “But I’m not . . . famous. I just genuinely don’t think I am. Selena Gomez is famous.”

Ronan has gained critical acclaim ever since her 2008 role in the period drama that saw her nominated for several awards at just 13-years-old. She’s since earned Oscar nominations for her roles in 2015’s Brooklyn and 2017’s Lady Bird, her latest.

But the actress says she stays away from the public side of her job by not reading anything related to her.

“If you’re not aware of how often you’re in a newspaper, then it’s like it’s not really happening,” she says. “I just get so anxious whenever I watch anything that I’m in. I’m fine with the way I look now. But I wouldn’t necessarily be looking at photographs of myself all day. I don’t want to become too consumed by the image of myself.”

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Matthew McConaughey’s Nominee for Sexiest Man Alive Is…

Matthew McConaughey wants to share the love.

PEOPLE’s Sexiest Man Alive 2005 has someone new in mind for the honor: Idris Elba.

“This is the perfect answer for the next Sexiest Man Alive,” McConaughey, 47, tells PEOPLE in this week’s issue of his The Dark Tower costar.

While the duo play enemies onscreen in the new sci-fi film, Elba, 44, is duly flattered.” such a compliment coming from this man!” he responds.

And even if the British actor were to take the title this year (look for the annual issue in November!), McConaughey still considers Sexiest Man Alive a permanent honor. “That’s the thing about this crown,” McConaughey says. “You get it until the day you leave this earth. And if you’re a believer, you take it into the next life.”

McConaughey plays the villainous Man in Black in the adaptation of Stephen King’s series of fantasy novels.

RELATED VIDEO: Even the Least Sexy Thing About Idris Elba Is Pretty Sexy

“This version was reality based,” he explains. “I’m the Man in Black, but I’m not in spandex. There’s a very human element to it in a very fantastic world.”

Elba plays the justice-defending Gunslinger. “These are real people,” he says. “I got to do some incredibly thought-out gunslinging, with one foot steeped in reality.”

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Encounters: Young Tony Nominee of ‘Dear Evan Hansen’ Gets Ready for His Big Day

The actor Mike Faist goes for a tuxedo fitting and runs into Hugh Jackman, the show’s director Michael Greif and an emotional fan along the way.
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A Guide To Sturgill Simpson, The Grammy Nominee Up Against Beyoncé And Adele

Sturgill Simpson may not be a household name, but the 38-year-old singer will compete Sunday in the coveted Album of the Year category at the Grammy Awards ― against many of the world’s biggest stars.

Simpson’s third solo studio effort, “A Sailor’s Guide to Earth,” is up against mainstream heavy-hitters: Beyoncé’s “Lemonade,” Adele’s “25,” Justin Bieber’s “Purpose” and Drake’s “Views.”

Even Simpson himself was surprised when the nominations came out in December, telling the Los Angeles Times, “In terms of what happened today, this never even crossed my mind. When we came off the road at Thanksgiving, I really thought, ‘Well, that’s it for this one. We’ve done everything,’ and I started thinking about what to do for the next record. This has all been slightly surreal to say the least.”

Surreal, indeed.

Read on for more about the man behind “A Sailor’s Guide to Earth.”

This isn’t Simpson’s first rodeo. 

His sophomore album, 2014’s “Metamodern Sounds in Country Music,” received a Grammy nomination for Best Americana Album. It also became a critics’ darling, ranking on Rolling Stone’s 50 Best Albums of 2014 list. 

Before going solo, Simpson played in a bluegrass band called Sunday Valley. The group released an EP in 2004 and made an appearance at the Pickathon Festival in Portland, Oregon. But they didn’t get too far, Simpson says. “We couldn’t travel because the bass player had a great gig with the fire department,” he told Rolling Stone.

Simpson comes from a family of coal miners. 

Born in Jackson, Kentucky, Simpson grew up listening to music. His grandmother had 45s by Otis Redding and Sam and Dave, and his older cousin introduced him to the likes of Cream and Jimi Hendrix. 

“I was the first male in my mother’s family not to work the mines,” he told Rolling Stone. “Mom was a secretary, Dad was a state cop. We lived in a prefab house just off the highway. When I was in second grade, we moved to Versailles, just outside Lexington.”

He has a wide range of musical influences.

David Bowie, Nirvana, Sly and the Family Stone, Bill Withers, Marvin Gaye, Pink Floyd, George Harrison, Curtis Mayfield and T Rex all inspired Simpson’s latest album. You can add Walt Disney to that list, too. “Those old-school Disney movies with the symphonies and strings are great!” he told American Songwriter. It’s no wonder. Simpson says he’s been watching old Disney movies with his son, who was born in June 2014.

He’s a former U.S. Navy sailor.

The Kentucky-born singer made an on-the-spot decision to enlist in the Navy. 

“I walked in, looked around, and the Navy recruiter was a really hot brunette, so I signed up with her,” Simpson told Garden and Gun.  

Simpson spent time doing service in Japan and Southeast Asia. But the three-year stint eventually came to an end.

“I wasn’t very good at taking orders,” he admitted.  

Simpson’s wife encouraged him to get serious about music.

Music faded into the background, when in 2006, Simpson decided to take a job working at a Salt Lake City railroad freight-shipping yard for the Union Pacific Railroad. After four years, his girlfriend (now wife) urged Simpson to pick up the guitar again. 

“My wife was a big catalyst for the move to Nashville. I had started really seriously writing for the first time in years and playing at home a bit,” he told Fader. “She said ‘You don’t exactly suck at this. You should know that you tried before you wake up at 40 and I’m stuck with your ass all miserable.’”

It’s a good thing Simpson gave music another go. No longer miserable, Simpson has carved out a musical career for himself. He’s also up for Best Country Album on Sunday ― and will perform on the Grammys stage, possibly inching closer to becoming a household name. 

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Entertainment – The Huffington Post
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Paying Homage to India: An Interview With Pushcart Prize Nominee, Leeya Mehta

A fundamental concern for others in our individual and community lives would go a long way in making the world the better place we so passionately dreamt of.
-Nelson Mandela

Nelson Mandela Day was celebrated around the world on July 18th. It is a day to remember the greatness of a man who dedicated his life to helping the world understand democracy, freedom, equality, diversity, reconciliation, and respect.


Recently, I had the opportunity to connect with, Leeya Mehta, She was a child when Nelson Mandela was released from prison in 1989 after serving his 27-year sentence.

The movement for a democratic South Africa was felt greatly in India whose own independence was achieved just 15 years before Mandela’s sentence began. Leeya Mehta’s school invited leaders of the ANC to come talk to the children. Mehta felt rooted in a culture of nonviolent resistance for change, surrounded by the energy of a new India, and a witness to its diverse cultural and religious traditions.

After earning a Master’s in economics and politics from Oxford University she traveled throughout the world eventually settling in Washington, DC. She was recently nominated for a Pushcart Prize for her poem, “The Abduction,” published by the Beloit Poetry Journal.

Here she shares her reflections as a writer and her hopes to pay homage to the diverse cultures, religions, social movements, countries and the people who weave their complexities and contradictions, along with her own, through her poems and essays.

Poem: “David & The Hummingbird”
For Nelson Mandela

Essay: “What kind of society do we want to live In?:
A reflection on crime & punishment.”

Writer’s Process: The Diction of Death & Violence

Poem: ” The Towers of Silence” and Writing For & As The “Other”

Inspiration: India As A Muse

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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Lauren O’Brien Impressions – Oscar Nominee Speech Practice (2015) HD

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Lauren O’Brien Impressions – Oscar Nominee Speech Practice (2015) HD

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Lauren O’Brien’s impressions of the nominees practicing their Oscar acceptance speeches. Featuring: Reese Witherspoon, Meryl Streep, Rosamund Pike, Keira Knightley, and Laura Dern.

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From Studs to Florals, See Golden Globe Nominee Emily Blunt’s Dazzling Red Carpet Looks

In honor of her 2015 Golden Globe nomination for Best Actress in a Motion Picture, check out Emily Blunt’s best red carpet looks here.
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Golden Globes Nominee Helen Mirren’s Red Carpet Style Proves that Age is Just a Number

If you’re looking for matronly dresses, you won’t find them in Helen Mirren‘s closet. The British Dame may be 69-years-old, but she’s proving that glamour and style is ageless on every red carpet she walks. From a wild Dolce & Gabbana dress topped with a leather moto jacket to a figure-hugging teal Elie Saab gown with […]
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Golden Globe Nominee Claire Danes’s 10 Best Red Carpet Moments

In honor of her Golden Globes nom, check out Claire Danes’ 10 best red carpet style moments!
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Independent Spirit Award Nominee Andrea Suarez Paz: “I Hope to Play Something Impossible”

Actress Andrea Suarez Paz. Pic: Andrea Suarez Paz

Currently, up-and-coming actress Andrea Suarez Paz takes on the role of an immigrant mother in New York City, whose autistic son, marvelously depicted by Jesus Sanchez-Velez, wonders off into the baffling depths of the city’s subway system — a means of transportation that in so many ways resembles the complexities this metropolis throws at her patient residents. The New York Times calls Sam Fleischner’s tranquil account Stand Clear of The Closing Doors, a “small miracle of a film.” Suarez Paz was recently nominated for the much-sought after Independent Spirit Award for best supporting female, alongside Jessica Chastain, Emma Stone, Patricia Arquette and Carmen Ejogo. In an interview she reveals passions and insights.

What was your first reaction to the nomination for the Independent Spirit Award and how are you feeling now?

I was shocked and ecstatic! I found out about a minute before my four year old son got off the school bus, and it was hilarious trying to explain to him why I was jumping up and down. I now feel a really luxurious sense of relief that my work actually translated, that it was felt by the audience.

Andrea Suarez Paz in Sam Fleischner’s ‘Stand Clear of the Closing Doors’. Pic: Andrea Suarez Paz

While acting, you have a very strong presence, on stage as well as now in your first feature. Where is that place of strength within yourself you seem to draw from?

Actually, I always try to remain conscious of the tools I have at hand: breath, body, voice — and I just incorporate them as I perform a particular story, or lines. I strive to be purely honest and I think there’s a lot of power that comes with that.

Why did you come to New York City to pursue this career? Had you also considered alternative places, as well?

I am really bad at alternatives. I get confused picturing all kinds of different scenarios. So I decided on New York City, because I was young and I fell for the mystique of Scorsese and De Niro, acting conservatories, the grime, the subway and the streets of New York. I was feeling empowered when I made the decision to make a radical change and move to New York City, without having any money or knowing anybody out here. That was over ten years ago and these have been some of the hardest, most grueling years of my life.

What drew you to your part in “Stand Clear of the Closing Doors”?

Everything. It was a movie about being lost in New York City. The child is lost, the mother is lost and the vastness of the city is the backdrop of their drifting. You see the subway and the beach and they are both limbs of the same monster and it just made me wonder, what the hell is this merciless, amazing universe of a city? Where you are afraid to be found, even if nobody sees you? What would it be like for me to lose my precious child and to have to keep my cool, because my only chance of ever touching him again, relied in me not being deported? Not calling attention? Parts like these are an actor’s blessing!

How was working with director Sam Fleischner and what particular qualities does a good director have, in your opinion?

I think the quality I identify with the most when it comes to working in a team, is flexibility. In my opinion, a great director has a nice balance of a well set vision and the willingness to have that vision molded and changed by circumstances, the environment, other people’s input, etc. Sam actually taught me that. He made me realize how nurturing an attitude of flexibility is and how expanding. This also permeates into every cell of the process.

Who would you like to work with next and what type of character would you like to play?

It’s hard to say. I hope to be able to play something really multilayered, something impossible, that’s what I always wish for.

What part of the experiences as a mother in real life were you able to integrate in your part?

Well, I am a relatively new mom, but I remember when Sam and I started talking about the character and how he wanted to keep her very naturalistic and internal and sort of calculating. I thought, “Sure! That sounds very interesting, no problem,” and my son was about 9 months at the time. Then the film was postponed for a year for a few reasons and I was kind of bummed and he said to me that this time would be important, because I would have more experience as a mother. I thought, “a mother is a mother.” I didn’t think there’d be much difference. The months passed and I had been thinking about my character and how I would want to do things, considering she had to act so thoughtfully, so not from her gut, because she has so much at stake and she wants and has to keep it all together and I was having fun just making random cerebral choices here and there. In the meantime, my son had gotten better at walking, and one day while shopping at the supermarket, I suddenly lost him. Immediately my mouth went dry and my heart started pounding in my throat. It was a matter of seconds before I was screaming his name down the aisles and saying, “Please help, lock the doors, call the manager,” to other customers. I found him smelling coffee a few yards and I thought, “Oh, keeping it in is going to be harder than I thought.” Subsequently, I used that a lot, that having to quiet myself down, because that was my only option and what worked best, in order to find my son.

What type of preparation do you undertake to get into character?

I usually read the script many times and make many notes and then I spend my time ridding those notes of what comes from my own opinion rather than the character’s according to the story. That’s the hardest part, usually, letting go of my judgment. I try to work hard on staying true to the story and away from “what I would do.” It’s not what I would do it’s what this person is actually doing. That helps me free myself up.

In the film, your son Ricky is suffering from autism. What did you know about Asperger’s/autism beforehand?

I knew nothing about Autism or Asperger’s when I started the process. I read a lot of books in the subject, all varying widely in information. Nobody really knows what Autism is exactly or what to do about it in order to get the best outcomes as the child grows. I learned that no two brains are alike, autistic or otherwise, so in my research I found all kinds of stories and realized that even though every parent’s journey is different and personal, there is that common ground of not knowing how your child will develop. That is very stressful and it can, and usually does completely take over your life.

How do you feel are Latin American/Hispanic actresses represented in Hollywood these days? What are the perks, what are the obstacles?

I see mostly a lot of typecasting but I also see a lot of change happening and a lot of opportunity being shaped up. There are actresses doing a fine job of the sexy Latina stereotype and stuff like that but there are also women willing to push those boundaries and present the wider spectrum of what a Hispanic woman is, or are simply saying, “I am a woman with life experiences, I’ve lived a life that involves everything,” or you know, many of us are New Yorkers whether by birth or by transplant. We live in a city full of people from every corner of the world and we share the same experience of living, struggling and falling in love in the city, or whatever. I try not to see my ethnicity as an obstacle and I hope I can find empowering roles to play, just as many others like me. I think we have a good thing going and I’m willing to keep searching for those roles.
Arts – The Huffington Post
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