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The Bottom Line: ‘Swing Time’ By Zadie Smith

Zadie Smith writes novels about the people and themes that seem particularly freighted with political baggage these days: immigrants, multiracial families and social groups, the white and non-white working class. Though she’s writing about her own home turf ― England, typically north-west London ― those realities are no less incendiary there, in the Brexit era, than they are here, in the Trump one.

But Smith has also declined, most recently in an interview with Slate, to get too political about the multicultural world she depicts in her fiction. “I’ve always dealt with [multiculturalism] as a descriptive fact,” she said. And anyway, she added later, “I don’t have a political intelligence […] Sometimes people’s intimate lives reflect the political world, but my first concern is always people.”

To those who love her fiction, this should make sense; her worlds jostle with the colliding energies of so many acutely observed characters ― tussling, flirting, gossiping, bullying, falling in love and giving in to hate. It’s the writing of someone who wants to get inside the minds of as many people as possible, to figure them out properly.

Swing Time carries that curious, energetic feel, but it’s also entirely different. It’s Smith’s first novel written entirely in the first person, muting the raucous din of her cast of characters by filtering them entirely through her nameless narrator, whose introspective yet often fragile consciousness purposefully distorts the narrative.

The novel hangs around the childhood friendship, and adult alienation, of the narrator and a girl named Tracey. They meet in a dance class in a church near the council estates in North West London where they both live. Both are biracial, the child of one black parent and one white; both are clinging to their mothers; both are intrigued by each other, though not immediately friends. The narrator’s mother is from Jamaica and has aspirations to middle-class acceptance, educational achievement and a career in line with her interests in political activism. While her husband, the narrator’s father, is a loving family man, he’s also relatively content with an unambitious life, while she’s beautiful, restrained, determined to act like any educated middle-class woman would ― and disdainful of Tracey’s mother, an overweight white woman with gaudy taste and no apparent goals except to get on disability. “It turned out ― as my mother had guessed at once ― that there was no ‘Tracey’s father,’ at least not in the conventional, married sense,” writes Smith. “This, too, was an example of bad taste.”

The girls are drawn together like “two iron filings drawn to a magnet,” soon becoming like sisters. The narrator’s studious mother disapproves of the friendship ― Tracey is spoiled with toys and TV time ― but can’t stop them from spending hours watching videos of old musicals and making up stories about ballet dancers. Though their similarities bound them together, in a crucial way the two dancers are different: Tracey has perfect arches and a gift for dance that the narrator simply doesn’t. As she carries on preparation to become a professional dancer, her friend resentfully finishes in standard school and attends university.

As they enter adulthood, they suffer a mysterious and traumatizing falling-out that effectively ends their friendship, and as the narrator goes to work as a personal assistant for Aimee, a famous pop singer, she slowly loses track of her old friend’s dance career and her life.

Meanwhile, Aimee takes a violently sudden interest in charity work, and the narrator finds herself spending weeks at a time in a small West African country working on a girls’ school her charismatic and impulsive boss has decided to found. There she meets Fern, an economist who manages the logistics of the project; Lamin, a handsome local teacher who’s in charge of guiding them; and Hawa, a bubbly young woman who teaches English. Well-intentioned but constantly misstepping, painfully reminded at every turn of her isolation ― not an equal of Aimee, nor capable of relating to the local people ― she’s frustrated by the mission she’s a part of, but also unsure of how to do better.

Back home, her mother, now a divorced politician, has fallen ill, and has begun hearing nonstop from Tracey, who seems bitter and unstable, full of grievances toward the narrator and her mother. When a personal and professional catastrophe devastates the narrator, Tracey is waiting, again, to vent her fury through revenge. Now a single mother of three, and no longer a dancer, she seems distant from her friend’s long-cherished ideal friend: spunky, sharp, beautiful, transcendently gifted.

What happens to Tracey, and to her friendship with the narrator? From the vantage point we’re given, it’s basically insanity ― a couple wild accusations from Tracey; first that their dance school piano player, an elderly man named Mr. Booth, touched her inappropriately; next a still-more shocking one about the narrator’s beloved father ― and then paranoia, rage, erratic behavior. The narrator vaguely disregards all of her friend’s claims, from a very early age; later, she’s horrified to hear that she’s sent “distressing emails” to such people as “[a] director at the Tricycle who had not cast her, she thought, because of color.” The accusation that Mr. Booth had been inappropriate, made directly to the dance teacher after Tracey was accused of stealing the cashboxes from a student show, is not only dismissed out of hand, but it’s clear that one friend worked hard to convince adults in charge to believe the teacher instead: “I made it as clear as I could that Mr. Booth had never laid a hand on me or on Tracey, nor anyone else, as far as I knew.”

Smith doesn’t seem to intend to give readers enough information to know whether Tracey was, specifically, harmed by Mr. Booth, or whether her career was thwarted by racist casting, or whether, as she complains, her black children have been discriminated against in the school system. The barrage of personal and political grievances seem, to the narrator, out of hand. On the other hand, her own story is full of unsettling stories of black girls being touched under their underwear by boys who crawled under their desks, of black actresses (including Tracey) treated as second-class in the theater world, and of black boys excluded from classrooms because their teachers somehow fear them. The cumulative effect is to make both the narrator’s struggles and her old friend’s paranoid twist seem more logical than at first glance.

During her rocky visits to West Africa, the narrator similarly finds herself befuddled by her surroundings ― but struggling not to superimpose the political over the personal. While her colleagues doggedly work to make the best of Aimee’s absurd resources, no matter how problematically distributed, the narrator becomes entangled in vaguely delineated suspicions of her employer’s privileged actions. When Aimee becomes infatuated with Lamin, or adopts a local baby, or sweeps in for a school opening, her assistant is always watching with the certain, sour sense that wrong is being done.

Is she wrong? Maybe not, but as the novel goes on, it’s difficult to see what good her political anxiety does, either. Time and again, Smith’s narrator offers the personal and the political, but she struggles to see how they might fit together, and in that she’s not so different from most people. 

The Bottom Line:

In a first-person twist on her buoyant, bustling London narratives, Smith examines the trouble of combining the personal and political, and captures the thrills of girlhood, dance, and first friendship. 

What other reviewers think:

The Atlantic: “Swing Time is criticism set to fiction, like dance is set to music. One complements — and animates — the other.” 

Jezebel: “Smith has a rare understanding of the psyche of girlhood, that rush of sexuality which is simultaneously exhilarating, frightening and confusing.” 

Who wrote it?

Zadie Smith vaulted to fame with the publication of her debut novel, White Teeth, when she was just 24. Smith has won a slew of prizes, including several for first novel. She has since published four more novels, including Swing Time and On Beauty, which won the Orange Prize for Fiction in 2006. She also writes criticism. Born and raised in North West London, Smith studied at Cambridge. She is married to poet Nick Laird, with whom she has two children.

Who will read it?

Who won’t? Smith is a literary superstar, and her new book showcases why.

Opening lines (from Chapter 1):

“If all of the Saturdays of 1982 can be thought of as one day, I met Tracey at ten a.m. on that Saturday, walking through the sandy gravel of a churchyard, each holding our mother’s hand. There were many other girls present but for obvious reasons we noticed each other, the similarities and the differences, as girls will. Our shade of brown was exactly the same ― as if one piece of tan material had been cut to make us both ― and our freckles gathered in the same areas, we were of the same height.”

Notable passage:

“Tracy could ― did ― tell a teacher to ‘fuck off’ without even being sent to stand in the hall, but Jordan passed most of his time in that hall, for what seemed, to the rest of us, small infractions ― talking back, or not removing a baseball cap ― and after a while of this we began to understand that the teachers, especially the white women, were scared of him. We respected that: it seemed like a special thing, an achievement, to make a grown woman fear you, though you were only nine years old and mentally disabled. Personally I was on good terms with him: he had sometimes put his fingers in my knickers but I was never convinced he knew why he was doing it, and on the walk home, if we happened to fall in step, I sometimes sang for him ― the theme tune to ‘Top cat,’ a cartoon with which he was obsessed ― and this soothed and made him happy.”

Swing Time
By Zadie Smith
Penguin Press, $ 27.00
Published November 15, 2016

The Bottom Line is a weekly review combining plot description and analysis with fun tidbits about the book.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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The Bottom Line: ‘Zero K’ By Don DeLillo

A new Don DeLillo novel is an event. Whether his acrobatic semiotics lessons help you see the world with new lightness, or strike you as cold and conceptual, it’s hard to look away when the veteran imaginary publishes a new book.

Before his latest effort — Zero K, a futuristic look at technological advancements, extended life and the ethics that accompany it — was even released, FX snagged the rights to adapt it for television. Which makes sense, given the story’s sexy-sounding plot: Jeffery Lockhart learns that his distant, billionaire father, Ross, plans to preserve his younger wife’s body until medical advancements catch up, curing her of multiple sclerosis.

The premise isn’t so different from the goings-on of Silicon Valley, where Google-funded Calico was founded to focus on anti-aging research. The similarly motivated Methuselah Foundation aims to cure the toll aging takes on our bodies; The Glenn Foundation for Medical Research has been awarding scientists working in the field for decades. So, even if extended or eternal life is elusive, the resources actively devoted to the cause are real.

Skating along this rainbow’s edge of elusive and real, DeLillo takes us to the physical place where Ross’s wife, Artis, is preparing to die, entrusting her organs to science, taking an optimistic bet on future advancements. Called the Convergence, it’s a labyrinthine facility located in an isolated corner of Kyrgyzstan where the hopeful ill and the healthy but fervent prepare to devote themselves to the cause. Research is also conducted there, but to Jeff, who’s just arrived when the novel begins, it’s nothing more than a puzzling series of holding rooms, doors without handles, gardens visited by monk-like believers, and screenings of destruction, national disasters and self-immolation. “A literal landmark of implausibility,” he says.

The strangeness of the place unmoors Jeff, who roams its halls and finds solace in an old habit he picked up as a kid, working to define the objects he encounters, then defining the words within the definition, and so on until he’s thoroughly lost in a rabbit hole of words and meanings. The pleasure he takes in making abstract ideas concrete is reversed in Ross, who intentionally abstracts himself, going so far as to invent a name without a clear history, constructing a neat, cogent identity out of nothing. It’s no surprise, then, that the two clash when discussing the Convergence — Jeff the skeptic, Ross the willing embracer.

This dissonance between, and convergence of, the physical and metaphysical resonates throughout Zero K, becoming especially clear when Jeff reflects on his relationship with his mother, Madeline, and contrasts it with his relationship with Ross. Madeline is sensual, rooted in the physical world. Once, when she and Ross were fighting, she stabbed him in the shoulder with a steak knife before they wordlessly reconciled.

“She watched the traffic channel with accompanying weather reports,” Jeff remembers. “She stared at the newspaper but not necessarily the news.” These daily habits accrue to form a life with a shape to it, a clear beginning and end. Ross, on the other hand, responds to Jeff’s quotidian observations with oblique musings: “You shaved your beard,” Jeff comments, to which Ross responds, “There are things I’ve been thinking about.”

These things — the eternal questions swirling around the possibility of life without death — are rattled off in a funny scene by the designers of the Convergence, quick-talking Scandinavian twins who sport casual techie getups and finish each other’s sentences. Parodying the glib, glossy tone characteristic of TED Talks, one asks, “Isn’t death a blessing? Doesn’t it define the value of our lives, minute to minute, year to year?” “Many other questions,” the other adds. One could imagine them as extras in “The Social Network.”

They aren’t the only Convergence supporters whose language has a certain insincere sheen. When Jeff meets a meditative man in a garden on the site, the man speaks of a time when there will be “no similes, metaphors, analogies,” and leaves unimpressed.

So, the book, and it’s life-affirming conclusion, could be read as a triumph of honest language, the kind of human expression that comes out unfiltered when we’re spurred on by awe, by urgency, by the promise of eventual death.

In the throes of a hurtful debate with his father, Jeff thinks, “She stabbed him. My mother stabbed this man with a steak knife. My turn now,” before flinging a heartfelt insult, with effects that leave a mark.

The bottom line:

As ever, DeLillo explores the depths of an edgy, timely topic, completely resisting cliché, and emerges with something both fresh and universal. 

What other reviewers think:

The New York Times: “DeLillo’s novels generally ­offer consolation simply by enacting so well the mystery and awe of the real world, by probing deeply and mystically into so much, and by offering the pleasures of his unique style.”

The Washington Post: “Although the plot of ‘Zero K’ doesn’t always hang together, DeLillo has written a profound and deeply moral book.”

Who wrote it?

This is Don DeLillo’s 16th novel. He is also the author of White Noise, winner of the National Book Award and National Book Critic’s Circle Award, and Mao II, a nominee for the Pulitzer Prize.

Who will read it?

Anyone interested in inventive, contemporary fiction, or the ethics underlying futurist ideals.

Opening lines:

Everyone wants to own the end of the world. This is what my father said, standing by the contoured windows in his New York office — private wealth management, dynasty trusts, emerging markets.

Notable passage:

I got up and walked across the floor to the spare room, where I went directly to the window. Stood and looked. Spare land, skin and bones, distant ridges whose height I could not estimate without a dependable reference. Sky pale and bare, day fading in the west, if it was the west, if it was the sky. I stepped back gradually and watched the view reduce itself within the limits of the window frame.

Zero K
By Don DeLillo
May 3, 2016
Scribner, $ 27.00

The Bottom Line is a weekly review combining plot description and analysis with fun tidbits about the book.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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The Bottom Line

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Price: $ 6.99

Burton Expedition Bottom – Men’s

Burton Expedition Bottom – Men’s


Beanies & Neck Warmers Base Layers Socks Gloves & Mittens Helmets Goggles Back To Burton Winter Necessities Burton Expedition Bottom – Men’s: If you’re sporting a Burton snowboard jacket and Burton snowboard pants, it is the proper thing to complete your snowboard gear collection with some Burton first layer pants. The Burton Expedition Pant is sure to keep your buns from freezing over. In order to piece your snowboard tricks together, your snowboard equipment cannot be a hindrance, proper outdoor clothing is a necessity. Burton constructed their undergarments to breath on hot days and insulate on cool days, so no matter the temperature, the Burton Expedition Pant will keep your focus on snowboarding and off of homeostasis. Stokelize your equilibrium all season, in any weather. Features: DRYRIDE Ultrawick Stretch Pant Quick-Drying and Highly Breathable Stretch 360 degree for Unlimited Mobility Stink-Proof Antimicrobial Finish Chafe-Free Softlock Seams for Comfort Softwaist Logo Elastic Waistband
List Price: $ 54.95
Price: $ 32.95

NEW!Brown baby shoes,soft bottom toddler shoes,pink dot bow princess shoes,non-slip children single shoes,cheap girls shoes!6pairs/12pcs.C

NEW!Brown baby shoes,soft bottom toddler shoes,pink dot bow princess shoes,non-slip children single shoes,cheap girls shoes!6pairs/12pcs.C


Material: cotton Color: as picture. Size:11,12,13 cm.Product categories: toddler shoes.NOTE:1 lot = 6 pairs (12 pcs),not 12 pairs.MIX 11,12,13cm.
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Zhe [ cloud] European and American classic slip shoes baby shoes soft bottom toddler shoes / baby shoes circle end 4053

Zhe [ cloud] European and American classic slip shoes baby shoes soft bottom toddler shoes / baby shoes circle end 4053


Alibaba Cloud [ Che ] European and American classic slip shoes baby shoes soft bottom toddler shoes / baby shoes circle end of 4053 , children’s shoes, baby shoes, gathered here for a large number of suppliers , buyers , manufacturers. Zhe [ cloud] This is a classic European and American anti-skid soft bottom shoes baby shoes toddler shoes / baby shoes detail page 4053 of the bottom circle . Source categories: Spot , Item: red and blue stripe , Upper material: artificial PU, product categories :
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Â¥ 98 shipping Chong Yu nutrition plain steamed steamer stainless steel double bottom three four multi- 26cm steamer Pa

Â¥ 98 shipping Chong Yu nutrition plain steamed steamer stainless steel double bottom three four multi- 26cm steamer Pa


Â¥ 98 shipping Chong Yu nutrition plain steamed steamer stainless steel double bottom three four multi- 26cm steamer Pa
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NEW!Brown baby shoes,soft bottom toddler shoes,pink dot bow princess shoes,non-slip children single shoes,cheap girls shoes.8pairs/16pcs.C

NEW!Brown baby shoes,soft bottom toddler shoes,pink dot bow princess shoes,non-slip children single shoes,cheap girls shoes.8pairs/16pcs.C


size:11,12,13cm , Material: cotton.color:as picture. NOTE: 1 lot = 8 pairs(16 pcs)Not 16 pairs.Mix 11,12,13 cm.
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Wholesale trade babyshoes classic baby toddler shoes soft bottom soft leather baby shoes 0367

Wholesale trade babyshoes classic baby toddler shoes soft bottom soft leather baby shoes 0367


Wholesale trade babyshoes classic baby toddler shoes soft bottom soft leather baby shoes 0367 , shipments : Zhejiang Jinhua . Zhao Zhenyu provide shoes , baby shoes and other products. Source categories: Spot Brand : meters Wyatt baby, NO: 0367 , Upper material: artificial PU, product categories : toddler shoes , apply a gender : Male, Sole material: soft, non-slip bottom , the way they dress : elastic band, popular elements: car sutures, features: non-slip, whether there is light : No, if there
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Wholesale Spring new sweet love cute baby shoes, baby shoes, baby shoes soft bottom non-slip toddler shoes

Wholesale Spring new sweet love cute baby shoes, baby shoes, baby shoes soft bottom non-slip toddler shoes


Wholesale Spring new sweet love cute baby shoes, baby shoes, baby shoes soft bottom non-slip toddler shoes , delivery to : Shenzhen, Guangdong . Garments Co., Ltd. of Shenzhen City, Zhe fruit provide shoes , baby shoes and other products. Source categories: Spot , NO: 16458 , upper material : leather , product categories : toddler shoes for Gender : Female, Age : baby clothes ( 0-1 years old ) , sole material : PVC, Upper height : low to help , tube high: low tube, dress: lace front , popular el
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OUTLETS!Baby’s leg warmers,Red baby shoes,soft bottom toddler shoes,lace children’s cotton shoes,cartoon warm kids shoes.3pairs/6pcs.C

OUTLETS!Baby’s leg warmers,Red baby shoes,soft bottom toddler shoes,lace children’s cotton shoes,cartoon warm kids shoes.3pairs/6pcs.C


size:as picture.Material: 11/12/13cm.color:as picture.
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IBEX Woolies Bottom Men’s Large, Black

IBEX Woolies Bottom Men’s Large, Black


Ibex Woolies base layer is made of superfine New Zealand Merino Wool. Lightweight 18.5 micron New Zealand Merino wool is form-fitting and comfortableFlatlock seams and a gusseted crotch for low-profile layeringMachine washableTag-free labels for reduced waste and no skin irritation/chafing Item SpecificationsColorBlack,BlackMaterialMerino WoolFitMen’s,Men’sSizeLarge,LargeShorts StyleBibSeasonCool Weather
List Price: $ 70.00
Price: $ 70.00

Ribbon bow toddler shoes. Fashion Velcro baby shoes. China walking shoes. Cheap soft bottom, square mouth shoes. Kids shoes 6pair/12pcs CL

Ribbon bow toddler shoes. Fashion Velcro baby shoes. China walking shoes. Cheap soft bottom, square mouth shoes. Kids shoes 6pair/12pcs CL


size:11,12,13cm(0-18month)
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Jessica Simpson Plus Plus Plus Size Seaglass Ruffle Skirted Swim Bottom

Jessica Simpson Plus Plus Plus Size Seaglass Ruffle Skirted Swim Bottom


Jessica Simpson Womens brings you this playful swim skirt to add to your collection. Featuring a straight-fit silhouette; enhanced with a construction from a pliable spandex blend; a ruffle-trimmed hem grazes mid-thigh; pair with the coordinating tankini top for a chic total look.
List Price: $ 47.98
Price: $ 47.98

Jessica Simpson Womens Plus Plus Size Seaglass Ruffle Skirted Swim Bottom

Jessica Simpson Womens Plus Plus Size Seaglass Ruffle Skirted Swim Bottom


Jessica Simpson Womens brings you this playful swim skirt to add to your collection. Featuring a straight-fit silhouette; enhanced with a construction from a pliable spandex blend; a ruffle-trimmed hem grazes mid-thigh; pair with the coordinating tankini top for a chic total look.
List Price: $ 64.00
Price: $ 64.00

Beauty_dream Baby 6pcs Infant Shoes Bow loops for babies shoes baby toddler soft bottom shoes enjoybiz free shipping

Beauty_dream Baby 6pcs Infant Shoes Bow loops for babies shoes baby toddler soft bottom shoes enjoybiz free shipping


Free shipping, 6 pcs a lot, three sizes are available,4.4inch, 4.8 inch, 5.2 inch, please confirm the size before you make order,we sent by complete sizes.1190152190
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Jessica Simpson Womens Plus Plus Size Solid Fringe Skirted Swim Bottom

Jessica Simpson Womens Plus Plus Size Solid Fringe Skirted Swim Bottom


Feminine and effortlessly flirty; Jessica Simpson Womens presents you with this lovely skirted swim bottom. Featuring a slim; straight-fit silhouette throughout; sassy fringe detailing at the hem grazes the mid-thigh.
List Price: $ 72.00
Price: $ 57.60