Jane Goodall, Sylvia Earle, E.O. Wilson Sources of Inspiration for Sustainable Sunglasses

One, All, Every is launching a sustainable sunglass line, See A Clean Future, that is inspired by environmental forerunners Sylvia Earle, Jane Goodall, E.O. Wilson and Wangari Maathai. The shades are made in collaboration with artist Ugo Rondinone, who designed the packaging and an installation at DesignMiami in Basel, Switzerland. To magnify the earth-friendly aspect, each pair of shades has different colored lenses to represent the four elements: blue for water, pink for fire, green for earth and gray for air.
One, All, Every – Short for One Planet, All Beings, Every Choice — is a production company of sorts that collaborates with artists and designers to create a variety of sustainable items. Founder Lisa Schiff has an insider’s view of the art market. Through her day job as an art adviser at SFA Advisory, Schiff worked with the environmentalist actor Leonardo DiCaprio and his foundation, helping to organize many of its benefit auctions. As a board member for several nonprofits, she knows how reliant such groups are on benefit auctions for their overhead. Noting how UNICEF, AmfAR and many other nonprofits do the same, Schiff said, “But it does absolutely zero good for an artist. It dawned on me that

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The World Made Straight Official Trailer 1 (2015) – Steve Earle, Haley Joel Osment HD

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The World Made Straight Official Trailer 1 (2014) – Steve Earle, Haley Joel Osment HD

In a rural Appalachian community haunted by the legacy of a Civil War massacre, a rebellious young man struggles to escape the violence that would bind him to the past.

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Alice Morse Earle and the Domestic History of America

Alice Morse Earle and the Domestic History of America

Author, collector, and historian Alice Morse Earle (1851-1911) was among the most important and prolific writers of her day. Between 1890 and 1904, she produced seventeen books as well as numerous articles, pamphlets, and speeches about the life, manners, customs, and material culture of colonial New England. Earle’s work coincided with a surge of interest in early American history, genealogy, and antique collecting, and more than a century after the publication of her first book, her contributions still resonate with readers interested in the nation’s colonial past. An intensely private woman, Earle lived in Brooklyn, New York, with her husband and four children and conducted much of her research either by mail or at the newly established Long Island Historical Society. She began writing on the eve of her fortieth birthday, and the impressive body of scholarship she generated over the next fifteen years stimulated new interest in early American social customs, domestic routines, foodways, clothing, and childrearing patterns. Written in a style calculated to appeal to a wide readership, Earle’s richly illustrated books recorded the intimate details of what she described as colonial “home life.” These works reflected her belief that women had played a key historical role, helping to nurture communities by constructing households that both served and shaped their families. It was a vision that spoke eloquently to her contemporaries, who were busily creating exhibitions of early American life in museums, staging historical pageants and other forms of patriotic celebration, and furnishing their own domestic interiors.

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