Padma Lakshmi Reveals Speaking Out About Her Rape Prompted One Woman’s Attacker to Apologize

Padma Lakshmi‘s op-ed in the New York Times was not only a way for her to speak her truth, it was a way for others to realize the truth about their own actions.

The Top Chef host, 48, spoke at the Open Endoscopy Forum on Friday — just three days after she wrote a powerful in a piece for the Times in which she revealed she was raped by her 23-year-old boyfriend when she was 16.

Speaking at the forum held at that Massachusetts Institute of Technology, Lakshmi told the audience that she had one woman approach her to tell the host how she was personally impacted by the op-ed.

“There was this woman that came up to me and said, ‘I read your piece and I wanna thank you and it was really moving,’” she recalls of her interaction.

The woman then went on to explain that she received “an email from someone I haven’t seen since high school, and it was the boy who assaulted me. And he sent me the link to the article and he said, ‘I’m sorry. I didn’t know then what I know now and I shouldn’t have ever done that to you. And I apologize.’”

While Lakshmi explained that the past week has been a whirlwind and difficult to process, she has no regrets of sharing her story.

“I’m very glad I did it,” she said. “The stories women and men have shared with me have become some of the most moving things I have read, felt, discussed in my life.”

“I had a family write to me yesterday morning about their daughter who was raped last week on campus. And she went to campus police and did all of the things you need to do: rape kit, examined,” she explained. “And then her father wrote to me because he said she was having second thoughts about pressing charges. I don’t blame her and I don’t think anybody can blame her. It certainly underlined the truth.”

Lakshmi also told the audience on Friday that she felt compelled to write the op-ed in light of the inquiry into the sexual assault accusations against Supreme Court nominee Brett Kavanaugh by Dr. Christine Blasey Ford, calling it “an emergency situation.”

“I was just so incensed,” she said. “I think what helped was that it was a time sensitive issue. When I wrote it, I thought the vote was gonna be Monday so I knew I had to act fast. The emergency of that forced my hand.”

“Since then, the stories I’ve heard have been — I don’t even know how to verbalize how I feel yet,” she continued. “It has been compelling and it’s like a hundred times magnified feeling that I felt when I first shared my saga with endometriosis.”

RELATED: 8 Celebrities Who Are Spreading the Word About the Pain of Endometriosis

The author has been a longtime advocate of raising awareness for endometriosis since being diagnosed as a teen. She previously revealed to PEOPLE that her health condition left her bedridden “once a week, every month.”

“No one wants to talk about their period. It’s not my nature to go on TV and talk about my vagina, but it was such a good cause,” she told PEOPLE in March. “I saw how much better my life was after I had surgery and got the proper treatment. I was like, ‘Oh! This is what normal people feel like.’”

RELATED VIDEO: Padma Lakshmi Reveals How She Helped Lena Dunham Find the Doctor That Performed Her Hysterectomy

Lakshmi, who co-founded of the Endometriosis Foundation of America in 2009, also touched upon the “emotional disease” during her appearance at MIT and encouraged women to share their experiences, which often go unspoken about.

“It’s quite a foreign thing, especially for women,” she told the audience. “Anything to do with our sexual organs or reproduction system has been pushed away and not been talked about. We have not been encouraged to share our experience.”

Added Lakshmi: “If I think about my adult life in the last 20 years, I would say that the most significant moments of my life have always sprung from when I have shared some story when I have listened to a story from someone else.”


PEOPLE.com

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Woman Arrested in Craigslist Rape Fantasy Plot Was Actually Framed by Ex-Boyfriend’s Wife, Prosecutors Allege

A California woman who authorities claimed had recruited men on Craigslist to rape her ex-boyfriend’s wife has been cleared of all charges related to the case — and officials allege the man’s wife herself was behind the whole thing.

Michelle Hadley, of Ontario, was arrested in July, accused of harassing Angela Diaz, 31, and sending men to her home to engage in “rape fantasies.” Hadley was exonerated on Monday and Diaz is facing a slew of charges as a result of the twist in the case.

“Ms. Hadley is an innocent victim of a diabolical scheme,” Orange County District Attorney Tony Rackauckas announced in a statement.

Rackauckus alleged Diaz went to great lengths to frame Hadley by allegedly falsely reporting a rape claim and posing as Hadley in emails and on Craigslist.

Diaz has been charged with kidnapping, false imprisonment, falsely reporting crimes, perjury, grand theft and forgery, among other charges. She was arrested by Phoenix, Arizona, police on Friday.

Hadley, who had been released from custody in October nearly three months after her arrest, became emotional outside a Fullerton courthouse on Monday after she was officially exonerated.

“Obviously, this has been a huge nightmare for me, probably the most traumatic experience of my life,” Hadley said, according to the Associated Press. “I’m glad it’s finally over, and I can move on.”

Diaz Allegedly Sent Herself Threatening Emails

The ordeal began in June when Diaz allegedly posed as Hadley on Craigslist and sent responses to people who had responded to “rape fantasy” ads. She allegedly reported to Anaheim police that men arrived at her home to engage in the act. Prosecutors alleged the men were intercepted by police. (The men have not been publicly identified.)

Authorities alleged Diaz sent herself threatening emails, using “violent language” and including pictures to portray herself as a rape victim. Rackauckus also alleged that Diaz falsely reported that a man attempted to rape her in her garage.

Prosecutors said that, for about a month, Diaz allegedly told police Hadley had been threatening to have her raped and had threatened to kill her and what she represented as her unborn child. However, prosecutors alleged Diaz faked the pregnancy.

Hadley’s arrest made headlines, with details of the case garnering widespread attention. But Diaz’s alleged plan soon fell through as authorities learned the threats and Craigslist solicitations allegedly came from Diaz’s phone and condo.

Authorities have not determined a motive for Diaz’s alleged actions. But the women are linked by Ian Diaz, an agent with the U.S. Marshals Service, according to the AP. Prosecutors have said they have no evidence indicating Ian was involved.

It is unclear whether Diaz has entered a plea or acquired a lawyer. Prosecutors said she faces a maximum sentence of 12 years and eight months in prison along with 11 years in county jail.


PEOPLE.com

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Looking Back: Alexander McQueen’s ‘Highland Rape’ 1995 Runway

Designers from Vivienne Westwood to Oscar de la Renta and Isaac Mizrahi have long mined Scottish tartans for inspiration. But perhaps none is more closely associated with the theme than Alexander McQueen, who broke out with his seminal “Highland Rape” collection in 1995 and reprised it for fall 2006 with his “Widows of Culloden” effort, which he described as “very ‘Macbeth.’” WWD called it “a moment” that lived up to the hype — “fabulously creative and achingly wearable.” Afterward, McQueen said, “I wanted to show a more poetic side to my work….I find beauty in melancholy.”

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Rape as Weapon of War: San Francisco Opera’s World Premiere of Two Women (La Ciociara)

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“If you succeed in passing through this line without leaving a single enemy alive (…), I proclaim: these women, these houses, this wine, all that you find there is yours, for your pleasure and your will.” The same promise could have been made in ancient biblical times, or uttered by Agamemnon facing Troy, but in this historical case it was made in World War II. In 1944, a French general goaded Moroccan soldiers to break the German lines in Monte Cassino, Italy, in a battle that allowed the Allies to advance toward Rome and ultimate victory. The spoils of war: some 7,000 Italian women were marocchinate or “morrocaned”– raped in the days following the battle.

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This is the background for Marco Tutino‘s new opera Two Women (La Ciociara), based on Alberto Moravia‘s 1958 novel of the same name that led to the filmed version by Vittorio de Sica, starring Sophia Loren as the Roman shopkeeper Cesira, a young widow and mother of a teenage girl. (The film can be watched free on the internet.)

Commissioned by David Gockley, the adventurous director of San Francisco Opera (seven new operas commissioned during his tenure), Tutino co-wrote the libretto and composed the work for star soprano Anna Caterina Antonacci, the perfect operatic incarnation of the down-to-earth, clever, resourceful and sexy heroine. Antonacci is a beauty who has created sensations with the roles of Carmen (Bizet) and Cassandra (Berlioz). She managed seemingly effortlessly to step into Sophia Loren’s shoes in this story of a refugee mother trying in vain to protect her innocent daughter and herself from the dangers of war.

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Gockley gathered a remarkable team around Tutino (a renowned composer in Italy, but barely known in the States) and Antonacci: director Francesca Zambello whose latest coup at San Francisco Opera was her “all-American” Ring Cycle; set designer Peter J. Davison who created spectacular town and village scenes of war using historical footage and video collages by S. Katy Tucker; and Company Music Director and conductor Nicola Luisotti.

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A provocative concept

Tutino has written a 21st century opera that looks back at two traditions: the style of Italian verismo opera (like I Pagliacci or Cavalleria Rusticana, both performed at the Met last season) and post-War neo-realism in Italian cinema, creating an excitingly modern blend of these traditional styles. The new opera (Tutino’s fifteenth) has been poorly received by the American press, mocked as Puccini-light, as not neo-verismo (as director Zambello called it) but hyper-verismo. It has also been belittled as relentlessly melodramatic film music. These critical voices sound much like the critics who attacked Puccini some hundred years ago and still love to attack him today.

“Musical modernism being so chic — let’s turn our back on that!” Gockley proposed at a press conference for the opera, “Be heroic: go against the grain!” My modernism-tired ears pricked up with relief, thinking: it’s about time. Look at Philip Glass who already stepped out some 30 years ago… With Tutino (and two years ago Mark Adamo’s The Gospel of Mary Magdalen), Gockley hopes to “ignite a new tradition.” Tutino is a neo-romantic composer who dares to show that music has its richest roots in the past. His work honors and celebrates tradition instead of exhausting his energy in trying to annihilate it. Of course, this makes his music a provocation to the modernist party-line.

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A new tradition

Two Women walks a satisfying line between harmony and dissonance, high drama and lyrical sensitivity. The composer’s particular talent lies in the way he writes for the singing voice, the area where most modernist composers tend to fail most painfully. He gives them melodic lines and phrases that are fully integrated into the orchestral composition. There are no arias in the classical sense, but a style of writing between aria and recitative: in an interview Antonacci compared them to arioso recitatives by Mozart.

One could argue that every now and then the drama is laid on a bit thick, as when the return of mother and daughter to Cesira’s native village is announced by a long, bombastic “homeland” surge of the orchestra. But most of the time Tutino’s dramatic urgency keeps the dread of war present and acute, conveying that, like it or not, being at the edge of life and death is relentless.

By comparison with the novel and film version of Two Women, Tutino exaggerates the role of the villain, Giovanni (powerfully sung by baritone Mark Delavan), a macho rapist par excellence who hounds Cesira throughout the story. One has to remember, however, that opera aims at the archetypal. (Just open the newspaper any day to find that macho rapists have a timeless presence.) Tutino maintains the importance of Michele, the pacifist school teacher with communist leanings (sung with good voice but without much charisma by young, debuting tenor Dimitri Pittas). Michele befriends Cesira, becomes her new love interest and is promptly executed by the fascist Giovanni.

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Mother-daughter drama

Toward the end, as the dramatic story of Cesira and her daughter Rosetta’s survival tenses up, Tutino becomes more lyrical, balancing the brutality of rape and murder with the melancholy of popular songs (“Unlucky is he who hopes and dreams…”), a wartime pop hit and village waltzes — musical themes that in fact are woven throughout the composition.

One of the most heart-wrenching scenes reunites mother and daughter after they have been raped (offstage) by a bunch of Moroccan soldiers. Rosetta, sung with girlish purity by a brilliant young singer-actress, Sarah Shafer, has turned into a lump, stunned with childlike disbelief and devastating adult realization. Cesira tries to approach her, and under Zambello’s subtle psychological direction, Antonacci is torn with guilt and shame, aware there are only wrong approaches, wrong moves, and yet irresistibly drawn by the pain and pity of a mother. Rosetta rejects her, and Cesira sings a tender, desperate lullaby, telling her child to sleep and forget: tomorrow there will be no pain, hoping against hope to still comfort her daughter.

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This scene would have made a daringly ambivalent, modern ending. But Tutino pulls off another finale, a village scene with a post-war crooner (charming real-life pop singer Pasquale Esposito) leading the dance. The repercussions of the girl’s rape are present in the way Rosetta dances with a disturbing mixture of innocence and self-abnegation, yielding to every man in the square, while her mother helplessly looks on.

If this kind of highly realistic storytelling disturbs critics who scorn it as hyper-verismo, I suspect they prefer not to feel what this opera offers them to feel. (Making me wonder if modernism in music, being an early 20th century and post-War creation, chose as its mission precisely this avoidance of feeling.)

The final scene provides traditional operatic story “closure” with the triumph of the Allied Forces, the unmasking of the collaborator Giovanni and the revelation of his crime of killing Michele. This denouement leads to a somewhat happier ending when mother and daughter are able to share their tears in each other’s arms.

Clear and present danger

The audience was thrilled the day I saw the performance, celebrating the heros and going after the villains with rigorous boos, while outside, at Civic Plaza, hundreds of thousands of Gay Pride revelers danced and shouted their now legal liberation from arcane patriarchal lore.

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The clear and present danger for women in a war zone is reflected in another oeuvre San Francisco Opera presents right now, featuring Antonacci again, this time in the five-hour epic Les Troyens, The Trojans, by Berlioz. Here, as the visionary of Troy’s downfall and doom, she convinces the women of Troy to commit collective suicide rather than submit to the victors, the murdering, raping, enslaving hordes of Greek men.

In this exciting summer season of SF Opera, turning back to the past, in history as well as in musical traditions, is perfectly relevant for our time.

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Bluegrass Rape Crisis Center Receive Tribute & Free Prescription Help by Charles Myrick of ACRX

ACRX Recognition Gallery: American Consultants Rx
http://www.acrx.org -As millions of Americans strive to deal with the economic downturn,loss of jobs,foreclosures,high cost of gas,and the rising cost of prescription drug cost. Charles Myrick ,the President of American Consultants Rx, announced the re-release of the American Consultants Rx community service project which consist of millions of free discount prescription cards being donated to thousands of not for profits,hospitals,schools,churches,etc. in an effort to assist the uninsured,under insured,and seniors deal with the high cost of prescription drugs.

The American Consultants Rx discount prescription cards are to be given free to anyone in need of help curbing the high cost of prescription drugs.

Due to the rising costs, unstable economics, and the mounting cost of prescriptions, American Consultants Rx Inc. (ACRX) a.k.a (ACIRX) an Atlanta based company was born in 2004. The ACRX discount prescription card program was created and over 25 million discount prescription cards were donated to over 18k organizations across the country to be distributed to those in need of prescription assistance free of charge since 2004.

The ACRX cards will offer discounts of name brand drugs of up to 40% off and up to 60% off of generic drugs. They also possess no eligibility requirements, no forms to fill out, or expiration date as well .One card will take care of a whole family. Also note that the ACRX cards will come to your organization already pre-activated .The cards are good at over 50k stores from Walgreen, Wal mart, Eckerd”s, Kmart, Kroger, Publix, and many more. Any one can use these cards but ACRX is focusing on those who are uninsured, underinsured, or on Medicare. The ACRX cards are now in Spanish as well.

American Consultants Rx made arrangements online for the ACRX card to be available at http://www.acrxcards.com where it can also be downloaded. This arrangement has been made to allow organizations an avenue to continue assisting their clients in the community until they receive their orders of the ACRX cards. ACRX made it possible for cards to be requested from online for individuals and organizations free of charge. Request for the ACRX cards can also be made by mailing a request to : ACRX, P.O.Box 161336,Atlanta,GA 30321, faxing a written request to 404-305-9539,or calling the office at 404-767-1072. Please include name (if organization please include organization and contact name),mailing address,designate Spanish or English,amount of cards requested,and telephone number.

American Consultants Rx is working diligently to assist as many people and organizations as possible. It should be noted that while many other organizations and companies place a cost on their money saving cards, American Consultants Rx does not believe a cost should be applied, just to assist our fellow Americans. American Consultants Rx states that it will continue to strive to assist those in need.

As Duggar Dad Ran On A Political Platform Saying Rape And Incest Merited Capital Punishment, He Was Covering Up His Son’s Actions

In 2002, Jim Bob Duggar argued that rape and incest merited the death penalty. But that same year, one of his own sons reportedly committed incest, and Duggar allegedly covered it up.

While running for U.S. Senate in Arkansas, the patriarch of the Duggar clan — the family that is the central focus of the TLC reality TV show “19 Kids And Counting” — said that rape and incest should be punishable by death. Yet during his run, he reportedly knew that one of his sons, Josh, had molested one of his daughters.

Gawker Media dug up a cached version of Duggar’s political platform from the 2002 Republican primaries.

When asked if he believed abortion should be legal if a woman had been raped, Duggar said, “If a woman is raped, the rapist should be executed instead of the innocent unborn baby. … Rape and incest represent heinous crimes and as such should be treated as capital crimes.”

Duggar lost the primary election in May 2002 to the incumbent, Sen. Tim Hutchinson.

While Duggar was running on a platform that included this position about rape, the first allegations that Josh had molested a child surfaced. According to In Touch Weekly, which broke the story, a female minor told Duggar in March 2002 that Josh, who was 14 at the time, had been sexually touching her as she slept. Josh admitted as much to his parents in July 2002.

A police report suggests that the first victim who came forward lived in the same home as Josh. In March 2003, more minors accused Josh of touching their breasts and genitals. The police report suggests that four of the five total victims were Josh’s sisters.

Duggar did not alert authorities. He reportedly did not punish his son at all, except to send him to live and work with a family friend for a while.

When Josh returned, his father allegedly took him to speak with Arkansas State Trooper Jim Hutchens, who gave the boy a “very stern talk.” According to In Touch, Hutchens is now serving 56 years in jail for child pornography.

The authorities first heard about the allegations in 2006, when an anonymous woman contacted “The Oprah Winfrey Show” with details of the accusations. The police launched an investigation, and In Touch reports five victims confirmed that Josh had touched their breasts and genitals.

Reportedly, the police did not press charges because the statute of limitations had expired.

The Duggar family could not be reached for comment. TLC did not respond to a request for comment.

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Model Janice Dickinson Sues Bill Cosby For Defamation Over Rape Claims

LOS ANGELES (AP) — Model Janice Dickinson has sued Bill Cosby for defamation over statements by his representatives that called her claims the comedian raped her in 1982 lies.

Dickinson’s lawsuit filed Wednesday in Los Angeles Superior Court seeks unspecified damages on defamation, false light and intentional infliction of emotional distress claims. The suit states Dickinson requested a retraction from Cosby about statements calling her allegations, made last year to “Entertainment Tonight,” a lie. An email sent to Cosby’s attorney Martin Singer was not immediately returned. Singer called Dickinson’s claims that Cosby raped her in a Lake Tahoe, California, hotel room in 1982 “false and outlandish” in a letter to The Associated Press last year.

Dickinson’s suit states the denials by Cosby’s camp have caused her embarrassment, humiliation and led to her being re-victimized.

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Ed Helms Destroys Rolling Stone’s Rape Story Scandal During UVA Valedictory Speech

“Never let others define you, define yourselves.”

So began a seemingly comedic speech at the University of Virginia’s Valedictory Exercises by actor Ed Helms on Friday. In front of a large audience, the comedian peppered in jokes about Netflix and student loans before turning a harsh eye on the Rolling Stone rape story scandal, which has drawn widespread condemnation and lawsuits against the magazine.

“It has been said that a rolling stone gathers no moss,” Helms said. “I would add that sometimes a rolling stone also gathers no verifiable facts or even the tiniest morsels of journalistic integrity.”

“Rolling Stone tried to define you this year,” Helms said. “As a result, not only was this community thrown deep into turmoil, but the incredibly important struggle to address sexual violence on campuses nationwide was suddenly more confusing than ever and needlessly set back.”

The speech comes a month after Columbia University’s Graduate School of Journalism called Sabrina Rubin Erdely’s story “A Rape on Campus” a “journalistic failure” — a move that prompted Rolling Stone to retract the entire piece.

“The failure encompassed reporting, editing, editorial supervision and fact-checking,” the authors of the review said.

During his speech, Helms also delved into the strikingly negative news coverage of the Baltimore riots, chastising many major networks for their portrayal of the protestors as “thugs,” noting “Rolling Stone’s rush to define is just the tip of the iceberg.”

“The reductive labels aren’t helping and we better stop applying them, because there are a lot of Americans in a lot of pain,” Helms said. “We try to define others with simple labels because it makes the world easier to understand.”

“This community didn’t fall for the fallacy that just because Rolling Stone was wrong everything here must be perfectly peachy,” he continued. “You all had the courage to understand you can be outraged at Rolling Stone and still ask yourselves hard questions: When sexual violence does occur in our community, do we have the best possible protocols and resources available to our students? And UVA is charging forward to answer those questions and you should be proud of that.”

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Rape Survivor: Working On A Sexual Assault Documentary Helped Me Heal

Ari Mostov says she was bitter that she felt pushed out of her “dream school” in 2013, after campus officials didn’t take her report of rape seriously.

Now, the 22-year-old is channeling her energy into “It Happened Here,” a documentary about campus rape — work she said makes her feel like she is making an impact and has also helped her heal.

Mostov filed a complaint in May 2013 against the University of Southern California that resulted in an ongoing federal investigation of the school. In the complaint, Mostov detailed that the university’s Department of Public Safety had told her she had not been raped because her assailant stopped and did not orgasm.

Records later obtained by The Huffington Post showed that the DPS had also labeled Mostov’s report as an “injury response” rather than rape, which she believes shows how the school kept sexual assault statistics low.

The increased scrutiny on USC began to subside in 2014. Some of the complainants graduated, while others said they became too stressed to continue speaking about their cases in public. Mostov was diagnosed with post-traumatic stress disorder and clinical depression. She had found university employees’ responses to her report of an assault to exacerbate her mental anguish, so she left USC behind.

“I knew returning to school, it was going to be absolute hell again,” Mostov said, so she took time off to address the aftermath of her assault on her own terms.

Mostov was a film and screenwriting major at USC, and was able to find some short-term production work after leaving school. Then she was introduced to Marjorie Schwartz Nielsen in November 2014, who agreed to hire Mostov to help work on the “It Happened Here” release and subsequent campaign and promotions. The film debuted on the cable channel Pivot earlier this year and began being screened on college campuses in conjunction with the White House’s “It’s On Us” anti-sexual violence campaign. It will be released on iTunes and Google Play on May 12.

Working on the film, Mostov said, has been “one of the most amazing experiences” of her life.

“For the longest time I wasn’t able to think about what happened, I wasn’t able to grieve,” Mostov said. “Not being able to return to the school of my dreams and all of this hurt and pain I was putting off — I was finally able to put it to work.”

Nielsen said the survivors she has worked with and interviewed came forward for various reasons — that their assailant attacked someone else, that they felt their school’s atmosphere was getting worse, that they were tired of hearing stories similar to theirs — but what has kept them involved is a desire for “not letting the momentum die.”

“None of them pursued civil suits against their attackers,” she said. “They took up activism because they wanted it to change things.”

Neilsen said the social activism component is critical because to actually eliminate sexual violence, awareness isn’t enough — advocates need to address actual solutions.

At each screening, Neilsen said she explains campaigns some colleges have hosted on their campuses to inspire copy-cat demonstrations, and asks students in attendance to take the White House’s “It’s On Us” pledge.

The “It Happened Here” team has had more than 130 screening requests for the film, including some from organizations in France, Canada and Bangladesh. It’s stretching beyond college campuses, getting screened at several California high schools. On March 30, Mostov and Neilsen spoke about sexual assault at a TEDxYouth event in San Diego. Over the summer, the team will plan for more screenings at schools in the fall. They said they are particularly hoping to get more high school students to see the film, so they can start engaging young people before they arrive at college.

“This affects everyone, and really, in order to stop the cycle, we need to get ahead of these behaviors,” Mostov said. She envisions a day when asking for consent is as routine as asking for a condom.

“We’re really hoping to help to teach people, especially the younger generation, that they have a right to advocate for themselves,” she added. “It’s personally something I really struggled with because I didn’t know.”

Mostov wants to send the message that “I am brave.”

“I am doing this, this happened to me and I’m not going to be silent about it,” she explained. “My story matters too. This is what happened. I don’t care if you don’t believe me, I don’t care. This is what happened to me.”

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Listen Carefully, This Is What Rape Culture Sounds Like In America

Two women just explained the insidious nature of rape culture in under three minutes.

At the 2014 National Poetry Slam in August, spoken word artists Desireé Dallagiacomo and Mwende Katwiwa (a.k.a FreeQuency) performed the poem “American Rape Culture,” and explained how some of the songs we sing along to on the radio are directly contributing to rape culture. The result is a bold poem that reminds us how subtle — and dangerous — misogyny can be when put to a pop song tune.

Dallagiacomo begins the spoken word by pointing out that Robin Thicke sings the line “I know you want it,” 18 times in “Blurred Lines.” Katwiwa adds that in Rick Ross’ “You Ain’t Even Know It” the rapper says, “Put molly all in her champagne, she ain’t even know it. Took her home and I enjoyed that, she ain’t even know it.” Rape culture has become so mainstream that we hardly bat an eye when music icons sing about it.

“If you take the time on any given day to pay attention, you really start to notice these elements of rape culture permeating almost all areas of American life,” Katwiwa told The Huffington Post. “Many of the examples used in the poem were things Des and I had already heard of or read about prior to sitting to write the piece, but when we did additional research, we were kinda overwhelmed with all the different examples we could have put in our poem.”

Katwiwa’s and Dallagiacomo remind us how intolerable these trends in pop culture are when you consider that nearly one in five women will be raped in their lifetimes. As Katwiwa says in the poem, “Rape no longer only knows closed doors and dark alleyways, it’s assimilated into our daily routine.”

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American Consultants Rx Charity Donation To Delaware County Women Against Rape By Charles Myrick

ACRX Recognition Gallery: American Consultants Rx
http://www.acrx.org -As millions of Americans strive to deal with the economic downturn,loss of jobs,foreclosures,high cost of gas,and the rising cost of prescription drug cost. Charles Myrick ,the President of American Consultants Rx, announced the re-release of the American Consultants Rx community service project which consist of millions of free discount prescription cards being donated to thousands of not for profits,hospitals,schools,churches,etc. in an effort to assist the uninsured,under insured,and seniors deal with the high cost of prescription drugs.

The American Consultants Rx discount prescription cards are to be given free to anyone in need of help curbing the high cost of prescription drugs.

Due to the rising costs, unstable economics, and the mounting cost of prescriptions, American Consultants Rx Inc. (ACRX) a.k.a (ACIRX) an Atlanta based company was born in 2004. The ACRX discount prescription card program was created and over 25 million discount prescription cards were donated to over 18k organizations across the country to be distributed to those in need of prescription assistance free of charge since 2004.

The ACRX cards will offer discounts of name brand drugs of up to 40% off and up to 60% off of generic drugs. They also possess no eligibility requirements, no forms to fill out, or expiration date as well .One card will take care of a whole family. Also note that the ACRX cards will come to your organization already pre-activated .The cards are good at over 50k stores from Walgreen, Wal mart, Eckerd”s, Kmart, Kroger, Publix, and many more. Any one can use these cards but ACRX is focusing on those who are uninsured, underinsured, or on Medicare. The ACRX cards are now in Spanish as well.

American Consultants Rx made arrangements online for the ACRX card to be available at http://www.acrxcards.com where it can also be downloaded. This arrangement has been made to allow organizations an avenue to continue assisting their clients in the community until they receive their orders of the ACRX cards. ACRX made it possible for cards to be requested from online for individuals and organizations free of charge. Request for the ACRX cards can also be made by mailing a request to : ACRX, P.O.Box 161336,Atlanta,GA 30321, faxing a written request to 404-305-9539,or calling the office at 404-767-1072. Please include name (if organization please include organization and contact name),mailing address,designate Spanish or English,amount of cards requested,and telephone number.

American Consultants Rx is working diligently to assist as many people and organizations as possible. It should be noted that while many other organizations and companies place a cost on their money saving cards, American Consultants Rx does not believe a cost should be applied, just to assist our fellow Americans. American Consultants Rx states that it will continue to strive to assist those in need.