Royal Duchesses Vie for Spotlight in Photo Ops After Windsor Wedding

ME TOO: It was supposed to be Lady Gabriella Windsor’s day in the Sunday press, the minor royal having married her beau Thomas Kingston at St. George’s Chapel, the same place Harry and Meghan wed a year ago. Queen Elizabeth and the Duke of Edinburgh were in attendance at the Saturday ceremony, as was Prince Harry. Pippa Middleton and her husband James Matthews and Princesses Beatrice and Eugenie were among the guests.
Lady Gabriella is 52nd in line to the throne and does not have a big international presence, so this wasn’t world news. However, Windsor is known in Britain as the daughter of Prince Michael of Kent, one of the Queen’s cousins, and her late grandparents were the Duke and Duchess of Kent. Her husband had once dated Pippa Middleton. The bride wore a Luisa Beccaria wedding dress and the reception was held at Frogmore House on the Windsor estate, not far from where the Duke and Duchess of Sussex live with baby Archie.
Usually, that sort of wedding would have been front-page fodder for the Sunday papers, but not with the Duchess of Cambridge and the Duchess of Sussex in town.
Kate Middleton’s smiling face graced the cover of The Sunday Times of

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In the Spotlight: Willem New York Twists the Classics

Brand: Willem New York
Backstory: After graduating with a history degree from Harvard, Sean McDonagh indulged his love of kicks by working on branding for the Greats, the buzzy sneaker brand. But he soon got restless and sought to tell a fuller men’s wear story. “I’m someone who jumps into the fire,” he said. So he created Willem New York, a casual men’s wear collection rooted in American staples such as jeans, hoodies and T-shirts but with subtle design twists. In addition to updating classics, McDonagh also strives to tell a story with Willem. For spring, a collection he titled Paradise Lost, he was inspired by Seventies Montauk, N.Y., where he’s spent his summers since childhood, and photographer Peter Beard. The influence of the lensman, who is renowned for his images of Africa and its wildlife, is found in several pieces of Willem’s spring offering such as safari jackets as well as the earthy color palette.
Key pieces: Although Kenya and Montauk might not on the surface seem to have much in common, McDonagh has managed to seamlessly blend the aesthetic of both in his spring offering. The design is intended to represent “a beach town with safari details,” he said. That

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In the Spotlight: French Deal

Brand: French Deal
Backstory: Steeven Kodjia, a former professional hip-hop dancer, used to shop the vintage shops of New York searching out the most unique streetwear pieces he could find and resell them when he returned home to France. He soon attracted a following who appreciated his taste and eye for the unusual. And so in 2010, Kodjia decided it was time for him to create his own brand, one that would speak to a couture hip-hop customer — a market he didn’t feel was being addressed. He teamed up with Ian Mahinmi of the Washington Wizards, and Ousmane Dabo, a former soccer champion, to create French Deal that next year. The three share not only an affinity for high-end streetwear, but a common heritage: they’re all originally from West Africa and grew up in France, giving them a similar sensibility and purpose. The brand, which is custom only, soon gained a foothold with celebrities such as Khalid, Maejor, Quincy Brown, Evan Ross, and Ne-Yo, as well as several NBA athletes, including Mahinmi’s teammates Otto Porter, Tomas Satoransky and John Wall, and NFL player Victor Cruz. “From the beginning, I wanted a brand that told our story and that I could

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Books of The Times: Andrea Dworkin, a Startling and Ruthless Feminist Whose Work Is Back in the Spotlight

“Last Days at Hot Slit,” edited by Johanna Fateman and Amy Scholder, collects work by the radical feminist who said her writing had to be “bolder and stronger than woman-hating itself.”
NYT > Books


Dunhill to Spotlight New Brand Positioning in U.S.

The Alfred Dunhill brand can trace its roots all the way back to 1893 but its presence in the U.S. market over the years has been spotty at best.
In the Fifties, the London-based brand operated major stores on Rodeo Drive in Los Angeles and Rockefeller Center in New York and counted celebrities such as Frank Sinatra as fans.
But it slowly lost its grip on the market as management changed, stores closed and the brand cycled through a number of designers including Richard James, Nick Ashley, John Ray and Kim Jones.
Enter Andrew Maag, a former Burberry executive who joined the brand at the end of 2017 and promptly set out to “right size” the business and redirect its focus back to its core business. “We were really missing the mark in the luxury space,” he said. “But we’re just now experiencing a turnaround.”
That has been helped in large part by the positive reaction to the modern tailoring created by the company’s new creative director, Mark Weston.
At the same time, Maag said that since joining the company, one of his major focuses has been updating the fleet of stores. “They desperately needed to be brought up to relevant standards,” he said.
Next month,

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The Not So Swinging Thirties to Take the Spotlight in New London Show

SOBERING UP: The Turbulent Thirties and its fashion — ranging from the influence of Hollywood films to the rise of suburbia — will be the focus of a new show called “Night and Day: 1930s Fashion & Photographs” at The Fashion and Textile Museum. The exhibition will open Friday and run until Jan. 20.
Split into different tableaux, the exhibition highlights the changing political and cultural landscape of the decade, and its impact on fashion. There will be a total of 100 looks on display, lent by Mark and Cleo Butterfield of C20 Vintage.
“Whilst carrying out the research and planning Night and Day, it became clear that escapism was a major theme that needed to be explored. While the decade is famous for its glamorous bias-cut evening gowns that showcased a woman’s curves and its magical musicals full of romance and glamour, these years were defined by a constant anxiety about the harsh economic reality and shifting social status,” said co-curator Teresa Collenette.

“Night & Day: 1930s Fashion and Photographs,” at the Fashion and Textile Museum, London, until Jan. 20. 
Fashion and Textile Museum

Following the Twenties jazz age, Thirties fashion witnessed a drop in hemlines to the ankles and the broadening of shoulders while trouser

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Changing Markets Foundation Drags Viscose Into Sustainability Spotlight

Fashion has a dirty secret and its name is viscose, according to a new report by Changing Markets Foundation, an organization that campaigns for better corporate practice in the clothing industry.
In its latest report, issued this week, the group outlined viscose’s damage to the eco-system, and the fashion industry’s failure to address the problem.
According to the report, the global viscose market is worth $ 12 billion dollars and is set to reach $ 15.9 billion by 2021.
Following investigations into viscose’s supply chain, Changing Markets Foundation found that factories, with the majority located in China, were dumping untreated wastewater into nearby bodies of water, while toxic runoff destroyed local agriculture.
As a result of the investigations, Changing Markets has released Roadmap, a set of guidelines for brands to clean up viscose’s damage. Seven retailers have endorsed the Roadmap, including Inditex, Asos, Marks & Spencer, H&M, Tesco, Esprit and C&A.
Campaign director Nusa Urbancic said while major high-street retailers who command a large share of the market are working toward sourcing responsible viscose, the industry still needs to address this key issue.
“It’s time for luxury brands, high-street retailers and online stores to wake up and ingrain responsible sourcing into their policies. It’s a shame that most brands have so

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New Designer Spotlight: Retrofête

“The Retrofête girl likes to party,” designer Ohad Seroya mused of a shimmery rack of party-attire that made up the new brand’s playful debut pre-fall and fall 2018 collections. After years of sifting through vintage troves, from Chelsea Market to the street markets in Berlin and Copenhagen, and dressing friends and family in their fashionable finds, Seroya and his husband Aviad Klin decided to try their hand at designing their own vintage-inspired treasures. So evolved the duo’s passion and hobby into full-blown fashion brand, Retrofête, which takes its name from “Vintage Party.”
“She likes to have fun, pushes the envelope and takes risks. She’s an insider and trend setter,” exclaimed Ohad of the Retrofête girl, “She is ‘wow’! There are no boundaries for the Retrofête girl.”
Both the pre-fall and fall collections are filled with sparkle and shine, a majority of pieces adorned fully with their main fabric: sequins. But these aren’t your average sequin party dresses. The duo prides themselves on unexpected takes on sequins, always playing with their dimension and color. For instance, an asymmetrical red check with sequins in a check print for pre-fall, or velvet and sequin wrap dresses for fall. Whether putting on a multi-colored sequined

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Li Edelkoort to Open Paris Gallery to Spotlight Artists, New Voices

WATCH THIS SPACE: Having first opened a private art salon in Paris more than three decades ago, Trend Union founder Li Edelkoort will soon take her career full circle by unveiling a public design gallery in her company’s headquarters.
Set to open its doors Jan. 18 at 30 Boulevard Saint-Jacques, the space will showcase design and arts and crafts — “what deserves to be shown collected and cherished at this moment in time,” according to the trend forecaster. To that end, a Heartwear pop-up shop will be among the planned events.
Created in 1993 by Edelkoort and some of her fashion designer friends, Heartwear is a nonprofit that collaborates with artisans by helping them scale up their creations without compromising their design integrity, culture or environment that they live and work in. With the assistance of department stores and magazines, Heartwear develops high-level goods with broader distribution. The nonprofit’s aim is to create a lasting connection with a collective or region. Khadi cotton from India and indigo-colored textiles from Benin are two of the projects that have been executed. To try to help the specific regions become self sustainable, profits are reinvested in those where the artists are based.
Trend Union will also

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In the Spotlight: Thomas Finney’s Modern Take on Made-to-Measure

Designer: Thomas Finney
Backstory: The Michigan native initially thought his career path would lead to the film industry. But once he got immersed in the Savannah College of Art and Design, he switched gears to fashion design, with a focus on men’s wear. He scored an internship with Thom Browne and so impressed the designer that he was hired to be a full-time men’s designer for the label after graduation. He stayed at his “dream job” for four years, working on both the commercial and runway collections, before leaving for a short stint working with Aaron Levine at Club Monaco. “I went from high concept to high street,” he said. About 18 months ago, he took the plunge and launched his own eponymous label, zeroing in on tailored clothing and furnishings.
Aesthetic: Finney admits to a love for Americana and based his silhouette off of a Forties golfing jacket. His ability to combine old-school tailoring techniques with new technology results in a slim, modern cut that is comfortable and easy to wear. In addition to suits, Finney has also created an entire day-to-night wardrobe ranging from denim with a suede crotch — “Yes, I went there.”— to leather jackets and knitwear.
Distribution: Despite

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Hugh Jackman’s Logan Costar Dafne Keen Steals the Spotlight During MTV Awards Acceptance Speech

Move over Wolverine, there’s a new mutant in town — and she’s in charge now.

Hugh Jackman got adorably upstaged by his 12-year-old Logan costar Dafne Keen at the MTV Movie & TV Awards on Sunday night.

When the pair took the stage to accept the award for best duo, Jackman reached for the mic to give his acceptance speech.

“Thank you, thank you. Listen, on behalf of —” Jackman began, before Keen interrupted.

“You do 17 years , I don’t speak for half of the movie, and you get to say the thank-yous? Okay, no,” she said as she grabbed the mic from her costar.

“Tonight I want to thank MTV and mom,” Keen continued. “Happy Mother’s Day in Spain.”

But before she could continue, Keen noticed that Jackman left a very important person off his thank-you list — and she wasn’t afraid to call him out for it.

“You didn’t write your parents here,” she said. “He thanks Mom and Dad.”

The two wrapped up their speech with a joint Wolverine-style growl.

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How Savannah Guthrie, Hoda Kotb and Today’s Cutest Kids Always Steal the Spotlight on Morning TV

Savannah Guthrie, Mike Feldman, Charley Feldman, Vale FeldmanForget about the hard news, concerts or celebrity interviews. Some Today show viewers just can’t get enough of the kid segments.
Although NBC’s morning show doesn’t miss a…

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Emerging Designers Grab Spotlight at On|Off

SPACE ODYSSEY: On|Off, the London-based showcase that helped kickstart the careers of J.W. Anderson and Peter Pilotto, among others, took over London’s Oxo Tower on Friday to introduce three new designers: Luke Anthony Rooney, Jack Irving and Timothy Bouyez-Forge.
Taking cues from Rosalind Russell, the feisty, fashionable reporter who played opposite Cary Grant in the 1940 screwball comedy, “His Girl Friday,” Rooney offered a lovely wardrobe that oscillated between breezy weekend dressing and crisp workwear, in line with Russell’s character.
To wit, he paired a striped knitted sweater with a wonderfully light, silky slip dress and conjured a jumpsuit from a textured wool fabric donated to him by Christian Lacroix.
The group show quickly turned conceptual with Irving’s “army of alien showgirls,” as he called them. Cue corsets sculpted from plastic shards and matching headwear and zippy, sequin stretch bodysuits with inflatable spikes protruding from the back like a giant cosmic porcupine.
“I’m only 23,” Irving offered apologetically, “I don’t want to wash it down. I want to be more of an artist than a fashion designer,” he said. One could only picture Lady Gaga – an avid Irving supporter – sporting one of these.
Timothy Bouyez-Forge offered his take on inter-galactic street dressing. The spirited lineup featured handsomely

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New Designer Spotlight: Marina Moscone

SISTER ACT: Marina Moscone and her sister, Francesca, grew up in Vancouver and ultimately pursued different career paths: Marina in fashion and Francesca in business. Last spring, the duo came together to launch Marina Moscone, the New York-based women’s ready-to-wear label.
Marina earned a degree in fashion degree from The New School’s Parsons School of Design and started working for Total Management, where she was an agent for photographers and stylists. “I graduated Parsons during the recession, and designers weren’t being hired,” Marina said. “At Total, I met people who I work with in the industry now [as a designer]….It ended up giving me a 360-degree perspective of the fashion business.”
Two years later, Marina landed a design gig at Peter Som, eventually becoming the brand’s design director. She spent four-and-a-half years at the company before breaking out to launch her eponymous label last spring, all of it made in New York using Italian fabrics.
“We’re Italian, and we grew up a lot spending our summers in Italy, where our father is from,” Marina said of her and her sister Francesca, who focuses on business and production side of things. “For the first collection, I was thinking a lot about our girl and

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5 Black Beauty Moments That Stole The Spotlight In 2016

Let’s be real, 2016 was filled with so many magical black girl beauty moments. From music videos to magazine covers, black women rocked them all. 

On Thursday’s episode of the “BV Breakdown” ― HuffPost Black Voices’ bi-weekly show devoted to all things black culture ― Essence’s fashion and beauty director Julee Wilson joined as a guest to reflect on a few of her favorite show-stopping looks.

This list is by no means comprehensive (we’d be here all day if it were) but to give you a glimpse, here are five of Wilson’s most memorable black beauty moments from this year: 

1. Solange’s “A Seat At The Table” Album Cover

Solange released her third studio album in September and blessed us with an incredible cover image to go with it. The artist’s bold brows, barely-there makeup and multicolored duckbill hair clips fit the unapologetic tone of her album perfectly, and even inspired a wave of Solange Halloween costumes

”This will forever be an iconic image. I think that she has just really pushed the envelope stylistically with her music, but also [with her] fashion and beauty,” Wilson said. “This ‘Seat At The Table’ album was such a beautiful homage to black women and I love that she went this very creative, abstract route for her album cover.”

2. Any Of Alicia Keys’ “No Makeup” Looks

Alicia Keys set off a major beauty movement when she announced her commitment to go makeup-free. While her choice to relinquish her makeup routine sparked both cheers and criticism, Keys looks as beautiful as ever with her sans-makeup look.  

“Everyone was talking about it when Alicia Keys wrote that ‘Lenny Letter’ essay about forgoing makeup. I think it was really powerful,” said Wilson. “I wear makeup. I’m wearing makeup right now. I think my makeup is on fleek … but I think it’s just a beautiful stance for a woman, any where, any how, to say, ‘I’m just going to let you see me for me.’” 

3. Gabby Douglas’ Bold Lipstick At The Olympics

Gabby Douglas won an Olympic gold medal with her “Final Five” teammates in Rio this year, “but she also gets a gold medal for this makeup look,” Wilson said. Douglas’ crimson lipstick caught our eye the moment that she stepped up to start her routine. 

“Some people tried to come for her hair again, but she wasn’t playing those games,” Wilson said. “I love that she really brushed the haters off this year and I think she stepped into this womanhood. I feel like that lipstick was really a moment to be like, ‘I’m grown. Don’t come for me. I’m a badass athlete. I’m a gold medal Olympian.”

4. Lupita Nyong’o’s Towering Met Gala Hair

Actress Lupita Nyong’o abandoned her signature close-cropped cut and opted to take her hair to new heights at this year’s Met Gala. While Vogue compared the look to Aubrey Hepburn, Nyong’o and her hairstylist Vernon Francois actually drew inspiration for the ‘do from Nina Simone and African traditions. 

“They just have such an amazing partnership and they came up with this beautiful hairstyle, which is a homage to lots of different hairstyles from the past,” Wilson said of Nyong’o and Francois’ friendship. “Nina Simone had a hairstyle like this… I think it was beautiful that [Nyong’o] chose to do it on the biggest red carpet for fashion.” 

5. Sasha Obama’s Standout Cornrow Braids

The White House’s Canadian state dinner was filled with all sorts of stunning looks, but Sasha Obama’s braids, which she paired with winged eyeliner and a choker, stole the show.

“I feel like everyone was doing those two cornrow braids, dutch braids, and she just did it in such a chic, beautiful, new way,” Wilson said. “It’s also a great nod to black hair and braids… You know she could have gone for the sleek cut, but I love that she did this.” 

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Men’s Wear Spotlight: James Frank Club

Brand: James Frank Club
Backstory: What do you get when you merge a film editor and a personal trainer? James Frank Club, a new online men’s store with an assortment of independent and artisanal brands. Cofounded by Jim Rubino, the film editor, and his trainer, Trevor Handberry, the site offers everything from suits and denim to bags, barware, grooming products and home goods. The idea for the business came after Rubino was frustrated with the duplication he found at the men’s stores around New York. Believing there had to be more guys looking for small, lesser-known brands, he broached the subject with Handberry during a gym session and asked for his help. “Trevor has a lot of fashion sense,” Rubino said. “I liked the difference in our personalities and thought it would be a good blend.” So Handberry set out on a “Google journey,” he said, to find high quality brands that were not widely distributed.
Brands offered: The duo came up with a list of more than 500 potential brands and narrowed down the list to around 80 including Norman Russell and Ace Rivington denim, Mitchell Evans shirts, Malcolm Alexander suits, Radley Raven ties and Winding Wheel Supply belts. “Every item

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Photos Shine A Spotlight On Just How Beautiful Traffic Lights Can Be

These photographs are simply traffic-stopping.

Lucas Zimmermann’s long exposures of a set of traffic lights near Weimar in central Germany are going viral, for all the right reasons.

The 23-year-old Bauhaus University student actually snapped the images in 2013, but they gained international exposure this week after Reddit user dittidot posted one of the pictures online.

Zimmermann, who is studying visual communications with a focus on photography, said he came up with the concept in a “purely intuitive” way.

“I was lucky to be at the right place at the right time,” he told The Huffington Post this week.

See more of Zimmermann’s photographs on his Behance account, Facebook page and website.

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Wool Gets the Spotlight at Paris Museum

PARIS – A flock of sheep invaded the Palais de Tokyo in Paris this weekend as part of a global awareness campaign orchestrated by The Woolmark Company.
The three-day event, ending Sunday, includes artwork made of wool, a photo exhibit about the natural fibre, and a series of dance performances showing off wool’s versatile nature.
Brands, including Adidas, which developed running apparel based on wool, and Dormeuil, supplier of fine wool fabrics to bespoke tailors including Cifonelli, Camps de Luca and Brioni, set up stands to let visitors get physical.
WWD caught up with Peter Ackroyd, global strategy advisor for The Woolmark Company, at the event.
WWD: What is so special about wool?
Peter Ackroyd: Its diversity. It can be made into suits, blankets or sportswear, and we think we don’t even know all the end-uses of wool. But it’s not only a very diverse fibre — at the end of its life it goes back to earth and enriches the soil. It doesn’t end up as landfill. We put a wool sweater next to an acrylic sweater in Prince of Wales’ garden. In five months, the wool sweater has almost entirely gone back to nature, the acrylic one — you just shook it and put it

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Milan Puts Spotlight on Young Talents

YOUNG GUNS: Milan’s Palazzo Morando on Wednesday evening was lit up for two back-to-back events hinging on fashion’s generation next: “Empower Talents 3,” hosted by Vogue Italia editor in chief Franca Sozzani and Kering chairman and ceo François-Henri Pinault, a project that offers internships at the luxury brands that are part of the French group in Italy; and the “Who is On Next? and Vogue Talents” happening, also hosted by Sozzani.
“It’s always beautiful to channel the energy of youth and work with new talents,” said Carlo Capasa, president of the Italian chamber of fashion.
“I came earlier to Milan to check out the new designers,” said Laudomia Pucci. “It’s our duty not only to find them but to help them.” How did she feel about the debut show of Massimo Giorgetti at the helm of Emilio Pucci on Thursday? “Very confident,” she grinned.
Salvatore Ferragamo’s Massimiliano Giornetti was taking a break from putting the finishing touches to his collection, to be shown on Sunday.
“It’s all ready and done,” countered Anna Molinari about her own lineup. Giambattista Valli, Lapo Elkann, siblings Alberta and Massimo Ferretti, Moncler’s Remo Ruffini, Sara Battaglia, and Elena Ghisellini also attended.

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New Designer Spotlight: Gian Kamal

Everything is energy and the energy that one puts in something can be felt by others. That’s the premise that moved fashion publicist, energy worker and artist Corinna Springer to launch Gian Kamal loungewear.
The name stems from Springer’s spiritual name, which means “the consciousness of the pure lotus” in the Sikh tradition. “I like to refer to it as ‘energetically enhanced.’ It’s all about creating something that feels exceptionally good,” she explained.
The collection starts with Springer’s collages and paintings, which are photographed and then printed onto sustainable silk sourced in India. Pieces include languid caftans, kimono wraps, jumpsuits, pajama bottoms and silk T-shirts “ideal for meditation, sleep and lounging.” Prices range from $ 200-$ 800.

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Museum Spotlight: Q&A With Tatyana Franck From Lausanne’s Musee De l’ Elysee


By Constance Breton, July 2, 2015

On the heels of Art Basel, we sat down for a Q&A with Tatyana Franck, the newly appointed director of Lausanne’s photography museum, the Musée de l’Élysée. A dynamic, multi-cultural leader, she arrived at the museum after serving as the Director of the Archives Claude Picasso.

Q: What was your first contact with art?

Franck: Art and photography have always been my passions. I have been surrounded by artists since my youth. It was in front of a photograph by the American Nan Goldin that I knew – at the age of 17 – that I wanted to dedicate my life to the artists, as I am intimately convinced that art can change the world.

Q: You studied in France, Great-Britain, China, United-States, and you’re now working in Switzerland: which country is the most striking, according to artistic management?

Franck: I am indeed traveling the world but I definitely think that Lausanne, and Switzerland in general, is the place to be. We are currently building a new museum complex that will open in 2020 and which will gather the Museum of Fine Arts (mcb-a), the design museum (mudac) and the Photography Museum (Elysée). It is a great opportunity to conceive the photography museum of the 21st century. Lausanne is not only a cultural city, but it is also the capital of The Olympic Games, one of the most important technological centers in Europe with the EPFL. It also has one on the best art schools, ECAL, top theatres (Vidy), the ballet Maurice Bejart and the Opera. In short, it is a vibrating city, a small town with an international influence!

Q: One of today’s fashionable words in talking about cultural management is “cultural entrepreneurship,” wording that some people in the art world criticize. You’ve studied law and worked in the art market, is your artistic view influenced by this idea?

Franck: My vocation has always to be a museum director. For that, you not only have to be an art historian, but also a manager and a leader. It is with that mindset that I decided to study law and business as I am currently studying at the Executive MBA Global Asia created by Columbia Business School, London Business School and Hong Kong University.

Q: You have just been appointed director of the Musée de l’Elysée in Lausanne, can you tell us a bit more about your appointment by the government of the canton of Vaud? What are the biggest challenges in your new position?

Franck: The Musée de l’Elysée is a gem in the museum world. It has always been one of my favorite museums and the opportunity to build and to think about its future in the new building that will open behind the train station is a wonderful challenge. It is not only about taking the responsibility of running a museum, but it is also the challenge of building a brand for the new museum.

Q: What is your view of the Musée de l’Elysée and what are your main projects for it?

Franck: I intend to develop the Musée de l’Elysée’s current national and international reputation in various ways by translating all communication materials in three languages (French, English, German), conducting an ambitious digitization program of the museum’s book and images collection, innovating with new technologies (augmented reality, multimedia contents) and building bridges between photography, art and other fields.

Q: Can you tell us more about its upcoming program?

Franck: Our program is developed both at the museum and outside its walls. In the beginning of July, we will host an event in the museum’s gardens – the Nuit des Images (Night of Images) which showcases photography in all of its states. It does this through various projections by young and renowned artists, a book fair, family activities and special projects for the museum’s 30th festivities. This will be followed by an exceptional collaboration with a major Swiss and international music festival – Paléo Festival Nyon, which allows us to produce an exhibition for a brand new public. More than just a photography museum, the Musée de l’Elysée is a point of view. Also, did you know that the exhibitions produced by the museum travel the world? Just last year, we had almost 50 openings abroad! In the fall, will present an exhibition on the treasures of the museum’s collections, “The memory of images: the iconographic collection of the Canton de Vaud.”
As far as programming for 2016 is concerned, it will be announced in the fall.

Q: How do you perceive the emerging artistic scene today?

Franck: I am especially attracted to the upcoming scenes in China, Latin America and Eastern Europe. In our “reGeneration3” exhibition, there are 8 Polish photographers that have been selected! The Polish scene is growing and fascinating. I also very much support the local scene, which is very vibrating.

Q: As a personal collector, what is the latest piece you bought ?

Franck: A piece from English photographer Michael Kenna, “Full Moonset, Chausey Islands, 2008.”

Q: One final question. What would be on your collector’s list as a piece to own?

Franck: A photography series from the Italian artist Giuseppe Penone called “Geometria nelle Mani – triangolo,” 2004, 15 b/w photographs.

reGeneration3 is on view at the Musee de l’ Elysee through August 23, 2015.

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Constance Breton is an ARTPHAIRE contributor. She is also a the founder of The Art of this Century, which is a platform that offers bespoke experiences and journeys in the art world for a private community of members.

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Collector Spotlight: 10 Questions for Brussels’ Frederic de Goldschmidt


By Constance Breton, May 20, 2015

On the occasion of the 33rd edition of Art Brussels, one of Europe’s most popular contemporary art fairs, we caught up with Frédéric de Goldschmidt, an influential yet discreet, French collector living in the Belgium capital.

De Goldschmidt actively supports international and local emerging artists through his collection and involvement in many artistic happenings around the city. This has established him as one of the key players of the Brussels art scene, where he keeps and shares his collection, by appointment. He sat down with us to answer 10 Questions about his “eye” and vision for collecting.

Q: When and why did you start collecting art ?

de Goldschmidt: I bought my first pieces of artwork when I was a teenager. They were two prints, one by Hans Hartung, one by Zao Wou-ki. The first original piece of contemporary art I bought with serious consideration was a work by Benjamin Sabatier in 2007. I had seen a work at FIAC that was sold and I wrote down the day of his next opening in order for me to be there at the beginning of the opening – which I successfully did. The work was made with ice cube trays filed with crumpled magazine pages. A few months later, I decided to take a year off and spend my time visiting museums, exhibitions, art fairs. It was my grandmother who made me appreciate art and she was a collector, so I decided to « recycle » into art part of my inheritance from her. It is a kind of homage. I hope I’ll be able to transmit a taste and a collection to my grandchildren too… And in the meantime to be challenged by art and artists.

Q: Is your collection more based on the subject rather than a certain artistic movement ?

de Goldschmidt: Works from the ZERO group and related artists of the 60s were among my first acquisitions during my “sabbatical.” I don’t follow a concept, but I keep a strong attraction to the simple and unconventional materials they used: cardboard with Schoonhoven, nails with Uecker, corks with Henderikse, styrofoam balls with Manzoni, I appreciate contemporary artists with the same inspiration. I buy works that speak to me more than I follow than artists or movements.

Q: What are the key artists in your collection ?

de Goldschmidt:I started collecting works that struck me when I was only visiting museums and shows. I was sensible to Arte Povera in Italy, so I bought works by Alighiero Boetti, a large piece by Kounellis,…One of my first major acquisition of a 21st century artist was a piece by Mike Kelley, a very multifaceted artist whose Memory wares particularly attracted me. I now concentrate on current production, works out of studio. The names of the artists will hopefully be recognized in a few years.

Q: Do you collect any kind of mediums, including video and performance ?

de Goldschmidt: I have a problem with video because I am not patient enough to set up the equipment, sit down and stay quiet for 20 minutes… And I don’t even own a TV… I nevertheless bought my first video, by Amélie Bouvier, this year, because it was a large edition and at a low price. I think that videos should be published as they were at the beginning, without limitation, and sold at a reasonable price, like a DVD or a film on iTunes. More people could thus look at them on their computer when they have some free time. I would like to collect performance, it is easier to store but it is even more difficult to show…

Q: You are very close to young artists and often support them. Do you consider it is important to be in contact with tomorrow’s artists and help them develop ?

de Goldschmidt: Yes, this is part of what I consider a duty: use part my grandmother’s inheritance to support contemporary creators. It makes much more sense to buy the work of a young artist who must eat today…than from a dead collector. In a period when state support is diminishing, collectors could take over part of this responsibility.

Q: You regularly organize exhibitions of your collection’s works, on the occasion of which you work with emerging curators. Can you talk about the show “Break it out!” organized by Julian Elias Bronner and Benjamin Faust on the occasion of the Art Brussels fair ?

de Goldschmidt: I asked two young New Yorkers, Julian Elias Bronner, an art journalist and Benjamin Faust Weber, an artist, to build a show around a piece by Alighiero e Boetti, “Zig zag,” and draw some lines between this sculpture made of a multi-color lounge chair and aluminum and other works from my collection, They tried to push a bit the aesthetic framework of the collection by inviting young Belgian or American artists not (yet…) represented in the collection. I am very happy with it.

Q: Last year, you contributed to the exhibition “Stalactica” and you took part in the funding of a monumental piece of art made by the artist trio Clairenadiasimon at the CAB. Were you involved in other events this year during Art Brussels?

de Goldschmidt: No production this year, but I was involved in three shows : “Break Out!” at my space, “Do you have barbaric taste?” at Poppositions with over 40 works and I also lent a work to a show of Japanese art curated by Nathalie Guiot at Hangar18.
“Do you have barbaric taste?” was organized by the young curators, Les Commissaires Anonymes and Nicolas de Ribou, who wanted to bring together a selection of works acquired for less than 8,000 euros over the past 10 years from a group of five Brussels-based collectors. They wanted to combine established and emerging artists to reflect on the role of collectors as defining cultural judgments and forming artistic hierarchies. It should be quite exciting to see how the rearrangement of our collections will look like -for us and for the public.

Q: You took part in the Solo prize as a juror, which rewards an artist’s ambitious project. How do you relate to Art Brussels?

de Goldschmidt: Art Brussels is great and I believe it is important to support your hometown fair. Though I am French, Brussels is where I keep and show my collection. It is thus a responsibility to show the best possible images to foreign visitors, galleries, and artists by attracting and rewarding those who make the effort of putting together an ambitious booth.

Q: You are a very active and hard-working collector. What are your basic ideas for collecting art?

de Goldschmidt: Collecting art is both an impulsive egotistic pleasure and an altruistic social responsibility. It is fun to acquire and keep in your home a work in which an artist has put all his feelings and savoir faire. But it is a responsibility not to keep it for yourself and to maintain it for the future generations. Collectors need to help art to be made by acquiring works from the artists of their time and also be custodians for the future .

Q: What do you think the role of a collector is in the making of art history ?

de Goldschmidt: Collectors give artists the mean to create the works. The variety of taste among collectors should allow all artists to express themselves. Collectors (like all those who look at art) can see things that artists don’t even see in their works – and make them look better by creating a dialogue them with works by other artists. But it is what the viewers of the future will see in today’s works that will decide if they made it into art history – and if the collector did.

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Constance Breton is an ARTPHAIRE contributor. She is also a the founder of The Art of this Century, which is a platform that offers bespoke experiences and journeys in the art world for a private community of members.

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At Met Gala, ‘HONY’ Photographer Shoots Pics Of Catering Staff And Others Who Don’t Get A Spotlight

Brandon Stanton, the photographer behind the immensely popular Humans of New York site, has a special talent for getting strangers to open up to him. And while he usually prefers to shoot and interview ordinary people he encounters on the streets of the city — so far, he’s photographed more than 5,000 New Yorkers — last night, he focused his lens on one of the most extraordinary events in Manhattan: the Met Gala. Unsurprisingly, while there was no shortage of star power at the ball, Stanton’s interest remained in those whose faces and names you don’t know off the top of your head.

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Swedish Sign Language Interpreter Steals The Spotlight In Viral Video

A Swedish sign language interpreter is stealing the Internet’s heart this week with a spirited, smile-inducing performance.

According to this YouTube video, Tommy Krångh interpreted a song performed by singer Magnus Carlsson on “Melodifestivalen,” a Swedish singing competition. Krångh’s rousing performance appeared on public service TV station SVT.

Look at him go:


Since being uploaded on March 14, the video has been viewed more than 580,000 times.

“In the world of sign language, this man is Michael Jackson,” quipped College Humor.

Watch the whole clip above.

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Women in Comedy Spotlight: My Hilarious Coworker Trish!

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It seems like almost every stand-up show features at least one female comedian these days. Now that Tina Fey stars in movies, it’s just a matter of time before women are being funny all over this great nation! It’s important that we support lesser-known “comediennes” before they explode into the humor scene, which is why I’d like to introduce you to the ridiculously hysterical Trish Jenkins, my fellow billing specialist at Content Innovations Inc. You’re gonna get a kick out of her!

Trish is outrageous! She will say anything, to anyone — she doesn’t even care! Her first week at CII, this hot UPS driver comes into the lobby, like, “I’ve got a package for Trish Jenkins?” And Trish looks him up and down and says — I SWEAR TO GOD THIS IS TRUE — she says, “Ooh, I hope it’s the one I’m thinking of!”

I’m like “Trish, oh my God! Are you insane? That is a uniformed official, Trish! You can’t say that!”

But she DID! She did say that! I was dying laughing, obviously, we all were. I was like, “You need to be doing this professionally!” Trish is edgy without being trashy, and I think we can agree that’s something we could all use more of in comedy.

Plus, she appeals to all types of audiences! Last May, we get out early for Memorial Day weekend and go get pedicures at this Korean salon. Can I say it’s Korean? Anyway, we sit down and Trish, FOR REAL, she goes, “So you’ll paint all my toes? Even my … CAMEL TOE?” I’m serious! I’m serious! She said that!

The lady didn’t understand our American slang, so Trish — hold on, I can’t even remember it without dying laughing — Trish hikes up her leggings and actually indicates the outline of her labia! Cross my heart! Now the lady is laughing, I’m freaking ROLLING on the floor like “Trish, you have no filter! You’re too much, and it’s amazing. Why aren’t you putting this in a comedy skit?”

Another reason Trish NEEDS to be out there, sharing her comedy with the world? She brings the realness. Like, BRINGS it! Last week, it’s Joel’s going away party, we all go out for Korean barbecue. Can I say it’s Korean? Anyway, Trish gets hilariously drunk, like that super-edgy, raw blackout drunk that most of us wouldn’t dare to try. Then she starts going around the table doing “insult comedy” and I’m like, wha-oh! Hide your kids and make peace with your God — Trish is on the warpath!

First she does this whole routine demanding to know why RJ never called her after they hooked up in the supply closet, then she tells Joel “BAD luck at your new job, you fat shit,” and THEN she does this pratfall into her short ribs and stays there for two hours! I’m screaming laughing, like, “Oh my God, Trish, what are you doing? You’re gonna get fired, oh my God!”

And she DID! She did get fired! But everything happens for a reason, and the world hasn’t seen the last of the insanely amazeballs Trish Jenkins. Are you listening, Lorne Michaels and Nick Cannon? Don’t let this raw female talent go to waste!

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